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PostPosted: Wed May 08, 2013 10:54 am 
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Brazilian Rosewood
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Todd Stock wrote:
All of these binding cutters register off the surface of the top or back, so depending on where the guide rides, there will be some reduction in depth, but on a flattop, only the run from 2" into the lower bout and around the upper back will be noticeably shallower. Easy to use a wheel type marking gauge to clean up the channel, and the slight angle on the bottom of the binding channel is usually not much of an issue with the bevel that most of us use on the inside corner.


Interesting. I haven't noticed any depth reduction, and I haven't chamfered any inside corners on any of my binding.

That hasn't been an issue for me.

I actually don't like the idea of an inside bevel, why reduce the gluing surface area?

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PostPosted: Wed May 08, 2013 11:05 am 
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I'm on my second StewMac cutter, at over 100 instruments between the two. Haven't worn out a bearing, yet.

If I think a top will be splintery(after a while, you get a feel for wood...) I'll cut the top's purfling channels with a 1/4" downcut spiral bit using a hand held Porter Cable 310, with a simple wooden "finger" clamped to the base as a bearing/guide. Works great, costs nothing. There isn't any taper to the top's surface, so a hand held router works just fine for the purfling channels. I've never experienced a situation when routing a back that required a spiral bit.

I also don't like the idea or the bearing being so far away from the cut; even the best factory acoustic guitars have sides that are slightly less than perpendicular, and often slightly "wavy", enough so that the cut will not be true every time. Bearings are also a much quicker method of changing the cut depth, and 100% consistent, every time, where you'll be adjusting, and making test cuts, adjusting, more test cuts, etc... for every. single.cut. with the above system.


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PostPosted: Wed May 08, 2013 11:18 am 
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Anyone have a source for bearings for the stew mac rig? Need some intermediate sizes that they don't sell. Have wraped with tape to build up diameter, but would prefer the proper size bearing.


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PostPosted: Wed May 08, 2013 8:46 pm 
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grumpy wrote:
I also don't like the idea or the bearing being so far away from the cut; even the best factory acoustic guitars have sides that are slightly less than perpendicular, and often slightly "wavy", enough so that the cut will not be true every time. Bearings are also a much quicker method of changing the cut depth, and 100% consistent, every time, where you'll be adjusting, and making test cuts, adjusting, more test cuts, etc... for every. single.cut. with the above system.


I'm with you all the way on this.

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PostPosted: Thu May 09, 2013 12:37 am 
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Brazilian Rosewood
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Filippo Morelli wrote:
There is a difference in binding height no doubt. Whether you discern it or not is the question.

I cut my bindings just as Todd does, except Todd chooses to true up the ledge height. I've seen him do it and seen the thin sliver off wood that gets removed off the ledge. I, on the other hand, ignore this difference as I don't think it is that relevant. Each to his own ... but it's definitely there!

Filippo


No, I just took my latest acoustic out and measured it. It's exactly 3/16th's in height all the way around the back of the instrument at all the 20 or so points of measurement that I measured. That's exactly the height it was when I made it, so my binding ledge was absolutely consistent to the binding all the way around the instrument.

But I agree, if it WERE there, I would likely consider it irrelevant as well and likely wouldn't true it up.

So what causes that for you guys? Does it have something to do with the sliding carriage system? Just curious.

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PostPosted: Thu May 09, 2013 12:42 am 
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Brazilian Rosewood
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Filippo Morelli wrote:
theguitarwhisperer wrote:
Interesting. I haven't noticed any depth reduction, and I haven't chamfered any inside corners on any of my binding.

That hasn't been an issue for me.

I actually don't like the idea of an inside bevel, why reduce the gluing surface area?

You really believe that chamfering the inside of that edge is going to reduce the surface area in any way whatsoever? What's that like 2% of the glue surface area over something that is continuously glued in two dimensions?

Filippo


I just think that the bottom edge is already thin enough, chamfering it would reduce it further. If binding is 3/32 wide and the chamfer removes even as little as 1/64th of an inch, that would actually be roughly 15% of the gluing surface area of the bottom edge.

But I guess it doesn't really matter though, it's not going to come unglued.

To each his own!

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PostPosted: Thu May 09, 2013 12:21 pm 
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Brazilian Rosewood
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Filippo Morelli wrote:
So you measure 0.1875" with zero variation? It's a small amount (which is why I'm not concerned), but when you mention the depth in fractions, you'll not measure any variation.

Filippo


I forgot to mention that I'm extremely nearsighted. I can read the microprinting on check signature lines.

No kidding.

At that magnification 3/16th might as well be a foot, it takes up my entire field of view.

So yes, I can see exactly where the binding lines up to the ruler, exactly in the centers of the black index lines.

Yes, zero variation.

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PostPosted: Thu May 09, 2013 12:31 pm 
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Brazilian Rosewood
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Todd Stock wrote:
Usual practice in cabinetmaking is to trim corners strips, binding, etc. to fit towards the show edges...that means that we chamfer the inside corner to prevent any issues with dimensional change on the trim piece. Trim is very seldom structural, so we accept a slightly thicker glue line over a small area of the joint to achieve a tight fit at the show surface...even after scraping and sanding away material. The only reason why we would worry about glue on the narrow edge of the binding is to seal that joint and prevent wicking of finish if we choose not to use an adhesive filler such as mahogany or shellac/pumice. What we don't want is a joint where the binding does not seat, due to debris in the joint, slightly mis-milled, or dimensional change of the binding when it gets wet with a waterbased adhesive. Also - for fiber/wood/fiber side purfing which many builders use, there's not much advantage to be gained in maximizing glue area - we're more concerned with a really tight, clean joint.


Ah, standard practice for cabinetmaking.

OKay, I can see that, if indeed it's not truly structural on an acoustic guitar.

However, I notice a difference in response of the box when I rout for bindings, that is restored somewhat when tghe binding is glued.

To that end I've endeavored to develop as tight and complete a binding ledge joint as is humanly possible, to minimize the possible impact of routing for bindings, to the best of my abilities.

That's one reason Ive started making my own bindings, as I've been unhappy with the trueness I get from manufacturers.

Maybe it's in my head, but I think every bit adds up to a whole.

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PostPosted: Thu May 09, 2013 12:31 pm 
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The issue is not your eyesight. It's the fact that you are using a ruler to measure. That's not an accurate enough form of measurement to detect the variation.


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PostPosted: Thu May 09, 2013 12:44 pm 
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Brazilian Rosewood
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ZekeM wrote:
The issue is not your eyesight. It's the fact that you are using a ruler to measure. That's not an accurate enough form of measurement to detect the variation.


Sure it is. Even if the ruler is not exactly 3/16th, the distance between the two points of measurement stays the same at that point on the ruler, so I can detect whether or not the binding is that particular distance. It lines up on the center of the black index marks. They're not very wide.

I can see a thousandth of an inch difference with my eyeball at that distance no problem.

Hard for you to believe, I know.

But just so you are aware I got my dial caliper out, measured it, same result. .190 all around.

I measured a point, locked the caliper, checked all around.

Frankly,I'm a little surprised myself, considering that the final sanding shoulkd have likely caused a s little more variation, but no.

I'm very careful about that too, though.

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Last edited by theguitarwhisperer on Thu May 09, 2013 12:50 pm, edited 1 time in total.

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PostPosted: Thu May 09, 2013 12:46 pm 
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I'm sorry but you cannot see one thousandth of an inch with your bare eyes. If you really could then I want you to come work for me. I'll save a fortune on measuring tools.


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PostPosted: Thu May 09, 2013 12:53 pm 
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ZekeM wrote:
I'm sorry but you cannot see one thousandth of an inch with your bare eyes. If you really could then I want you to come work for me. I'll save a fortune on measuring tools.


My eyes are like magnifying glasses.

A thousandth of an inch is the thickness of a sheet of paper.

I can see that easily.

It actually comes in very handy when adjusting nut slots and other tasks that require close vision, such as fret polishing and other tasks.

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Last edited by theguitarwhisperer on Thu May 09, 2013 12:56 pm, edited 1 time in total.

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PostPosted: Thu May 09, 2013 12:55 pm 
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theguitarwhisperer wrote:
ZekeM wrote:
I'm sorry but you cannot see one thousandth of an inch with your bare eyes. If you really could then I want you to come work for me. I'll save a fortune on measuring tools.


My eyes are like magnifying glasses.

what can you see with a magnifying glass?!? That would be like a microscope!


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PostPosted: Thu May 09, 2013 12:59 pm 
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ZekeM wrote:
theguitarwhisperer wrote:
ZekeM wrote:
I'm sorry but you cannot see one thousandth of an inch with your bare eyes. If you really could then I want you to come work for me. I'll save a fortune on measuring tools.


My eyes are like magnifying glasses.

what can you see with a magnifying glass?!? That would be like a microscope!


Okay, a microscope then.

When I was a small child and my eyes were more flexible, I could actually see onion cells.

Onion cells are very large though, comparatively.

Blind as a bat otherwise.

Can't do that anymore though, as I'm getting older and the lens has progressively stiffened some, but I can still see the paper thickness increment.

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PostPosted: Thu May 09, 2013 1:04 pm 
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Paper is typically .002"-.003"


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PostPosted: Thu May 09, 2013 1:09 pm 
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Brazilian Rosewood
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ZekeM wrote:
Paper is typically .002"-.003"


Not the one I measured.

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PostPosted: Thu May 09, 2013 3:31 pm 
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Todd Stock wrote:
Indeed, this is not obscure knowledge - David Russell Young, author of one of the seminal books on steel string construction, and Jonathan Kinkead, author of what is one of the more recent, well regarded texts, both mention chamfering the inner corner to ensure a tight fit and the outside corner to avoid cutting the tape or bands holding things together. This stuff gets even more important when you build with side purfs, as most of us do.


Trevor Gore recommends it in his book as well.


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PostPosted: Fri May 10, 2013 1:51 pm 
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A few other advantages to the slight chamfer is that the first point to wear on the router bit is the very edge, such that most channels are actually slightly chamfered and not as sharply defined as you think. And finally, there will likely be some fine dust or other foreign matter that will make its way into the channel as you're gluing the binding, and the chamfer gives this stuff a place to hide instead of hindering the fit, leading to better fitting bindings.


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PostPosted: Fri May 10, 2013 2:07 pm 
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How do you guys make the chamfer?

I was playing with some scrap binding material yesterday using my block plane and couldn't quite find the right way to hold the material.


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PostPosted: Fri May 10, 2013 2:21 pm 
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Easier to do before bending, but I've done it after as well. Just hold the binding in one hand and run a sharp razor blade (as in, mini scraper) along the edge of the binding. It's not difficult to get uniform results along the full length of binding.

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