Official Luthiers Forum!

Owned and operated by Lance Kragenbrink
It is currently Sat Aug 02, 2025 2:59 pm


All times are UTC - 5 hours


Forum rules


Be nice, no cussin and enjoy!




Post new topic Reply to topic  [ 36 posts ]  Go to page Previous  1, 2
Author Message
PostPosted: Tue Aug 25, 2009 8:47 am 
Offline
Old Growth Brazilian Rosewood
Old Growth Brazilian Rosewood
User avatar

Joined: Mon Dec 27, 2004 1:20 pm
Posts: 5915
Location: United States
Filippo Morelli wrote:
Ed,
I guess my being an amateur builder (and more of a customer), may I offer a counterpoint? I agree that figured woods are problematic, but for other woods of value let's consider a few things -
a) luthier pays a premium for this wood. Sitka Spruce of very high quality can be $50. An Adirondack Spruce top of very high quality can be $200 and up. Risk of getting the right thing is 4x the cost of sitka. That's going to cost us as the buyer. Furthermore the luthier has 4x $$$ tied up in that top, often for many years (we do want our luthiers building for well seasoned stock that has been in their shop for years). Luthiers don't make a ton of money. I don't know any that have lines of credit with their bank, as a business. So tying up funds (which are short in supply) is expensive for a luthier.
b) Run of the mill EIR is as simple as pick up the phone and order up however many sets you desire. Specialty woods are purchased as one-offs, often require hunting the stuff down, knowing the right people, et cetera.
c) Consider good quality Brazilian Rosewood (not what's on eBay) ... often a $1500 or even $2000 upcharge by a luthier. Good stuff starts at $750 and up on the open market. Consider that it is prone to cracking (means downstream luthier warranty repair at his cost) ... you can see where the price goes up as a percentage of base. It's also known to split during construction.
d) While I don't offer this as justification, but merely as market observation, every product in the world I can think of has upcharge for the premium models - that is, the product has a greater percentage of profit as it goes premium. Cars, watches, golf clubs, ad nauseum. A BMW 3 series has nowhere near the % profit margin for BMW as their 7 series, for example. The moment we ask for double tops, special rosettes, top woods, back woods, hemispherical frets, cutaways, et cetera, the price tends to go up.

One final comment I'd make, as a non-luthier. Many of the luthiers I know have many, many years of experience invested in their craft, at least $20-30k in facilities (location/equipment/tools) and often an equal amount of $$$ tied up in wood. This is to make 12-15 guitars per year, on average. Instruments sell for, say $4k on average. That's $60k gross and how much of that is cost? The net may hit $30-40k depending on what's going on. I know plumbers that make more money than that in 4 months. Upcharge on speciality items is one of the few ways that luthiers can increase their paltry earnings and still build instruments by hand, one by one, for their clients.

Just some alternative thoughts ...


Filippo



I think you have an excellent bead on the situation. I would like to add one more consideration.

The scarcity of wood. In addition to all of the other things we have to at least consider the replacement cost involved with trying to restock the wood we have taken from the stash. We all know good old growth quartersawn BRW is hard to come by, and a lot of the tonewood quality is slipping so the sets we are using are going to be harder and more expensive to replace. So we need to factor a portion of this into the equation. And with ultra rare woods like LS redwood, sets of the TREE etc, they simply won't be replacable, so you need to make sure and factor that into the mix as well.

I will build with customer wood, but as with Lance and Tim:

I offer no discount off the base price
I require the wood be inspected and stored in my shop until I build with it
If the wood breaks during construction the customer either replaces it or takes the upcharge to use my wood (but I have only EVER broke one side)
and the material side of the warranty is limited

I think this is a fair counter balance for customers, they can save the upcharge money, but they have to be willing to share in the risk.

_________________
Brock Poling
Columbus, Ohio
http://www.polingguitars.com


Top
 Profile  
 
PostPosted: Tue Aug 25, 2009 9:20 am 
Offline
Koa
Koa
User avatar

Joined: Tue Sep 30, 2008 8:57 am
Posts: 544
Location: Auchtermuchty, Fife, Scotland
Focus: Build
Status: Amateur
The upcharge on Rio is understandable when looking at most independent builders prices, although even as a customer, I think its a shame the market does not support a PROPER price for a standard spec in most cases - when you think of the time and skill required to build a decent instrument by hand even from relatively inexpensive tonewoods - that way the upcharge for more expensive tonewoods would be not such a huge gap?

I think if you up charge up to $2000 for Rio that's fair, but when I see some prices as much as $4000-$6000 for flat sawn stump wood that can be bought for $300-$500 or less it does seem excessive despite the costs of sourcing and storing.. I think that's why customers as with many other areas are doing more research and trying to understand more about the process and costs so that they many may see this as slightly over the top?

For what its worth, As I mentioned I would like to see luthiers get a decent price for the skill first and foremost - $6000-$10,000 as a base price for an instrument would be fair based on the skill and reputation of the builder, but the market does not sustain that for all but a few - if paid a decent price, then we would probably see amore reasonable premium on exotics?


Top
 Profile  
 
PostPosted: Tue Aug 25, 2009 9:23 am 
Offline
Koa
Koa
User avatar

Joined: Tue Sep 30, 2008 8:57 am
Posts: 544
Location: Auchtermuchty, Fife, Scotland
Focus: Build
Status: Amateur
Brock Poling wrote:
I think this is a fair counter balance for customers, they can save the upcharge money, but they have to be willing to share in the risk.


Think that is pretty reasonable and fair on both parties.


Top
 Profile  
 
PostPosted: Tue Aug 25, 2009 10:12 am 
Offline
Contributing Member
Contributing Member
User avatar

Joined: Wed Jan 05, 2005 3:45 pm
Posts: 4337
Location: United States
Thank you again, gentlemen!
Good discussion. In my case, I have built several guitars with customer wood, and have not discounted the base price, and the process has been a pleasant/creative one.
But the most recent customer... well, he's probably got a case of recession blues, and...
Guess this is another area to hammer out a *necessary* policy.
I DO like the idea of giving one free upgrade (within reason) as an offset. But again, this will take some pondering.
Several posts indicate "reading" the customer, and that is such an important component, isn't it?

Thanks guys!

Steve

P.S.--John, it was great meeting you too.

_________________
From Nacogdoches...the oldest town in Texas.

http://www.stephenkinnaird.com


Top
 Profile  
 
PostPosted: Tue Aug 25, 2009 10:12 am 
Offline
Brazilian Rosewood
Brazilian Rosewood
User avatar

Joined: Sat Jan 08, 2005 3:37 am
Posts: 2670
Location: United States
First name: John
Last Name: Mayes
City: Norman
State: OK
Focus: Build
Status: Professional
The way I always handle this is to use the wood if it is good enough, and charge the normal upcharge less what my normal cost of the wood is. Some customers feel that if they supply the wood no upcharge should apply, but of course the upcharge is not just for the cost of the wood, but working, warranty ect. as well as we need to make a profit too, which some customers do not like to hear, but it's the facts. I find most customers do understand this though and they are fine with it. I'll also request the wood be in my shop for at least 8 months.

_________________
John Mayes
http://www.mayesluthier.com


Top
 Profile  
 
PostPosted: Tue Aug 25, 2009 12:39 pm 
Offline
Contributing Member
Contributing Member
User avatar

Joined: Fri Sep 09, 2005 7:51 am
Posts: 3786
Location: Canada
Sheldon Schwartz works the same way .. the upcharge still applies ...

_________________
Tony Karol
www.karol-guitars.com
"let my passion .. fulfill yours"


Top
 Profile  
 
PostPosted: Tue Aug 25, 2009 12:46 pm 
Offline
Koa
Koa
User avatar

Joined: Fri Feb 22, 2008 8:26 am
Posts: 1041
Location: sweden
First name: Lars
Last Name: Stahl
City: Stockholm
Country: Sweden
Focus: Build
Status: Amateur
My first thought as first starting to read this post was that if a customer wants to bring the luthier the wood himself, he dont really have the money to get a hand made guitar in the first place (generally speaking that is) So just as Ken wrote, it will be a lot of trying to get the most out of nothing situation. --if I give you 50 bucks more, can I then ALSO have get a mastergrade top ??. but I might be wrong :D

Lars


Top
 Profile  
 
PostPosted: Tue Aug 25, 2009 2:21 pm 
Offline
Koa
Koa
User avatar

Joined: Sun Jun 21, 2009 6:34 pm
Posts: 1058
Country: Canada
So what is a happy customer that may be a repeat or even multiple repeat customer worth? How do you factor that into the equation? Sounds like a very thin line...


Top
 Profile  
 
PostPosted: Tue Aug 25, 2009 5:27 pm 
Offline
Koa
Koa
User avatar

Joined: Fri Feb 22, 2008 8:26 am
Posts: 1041
Location: sweden
First name: Lars
Last Name: Stahl
City: Stockholm
Country: Sweden
Focus: Build
Status: Amateur
ED, were you writing this for me ?? . IF so, how do you know the customer is happy :D :D . anyone who brings their own wood or in anyway try to bring the price down," if its not a friend that you can trust fully" it´s a possible problem and might cost more to the luthier in the end. But again I might be totally wrong, just thinking out loud from what I would feel if I myself would bring wood to a luthier. but of cause, if the customer is a woodworker so to speak, and has lots of beautiful wood in his own shop, and though that it might come to good use, then it might be different. But if some guy goes out shopping for wood just to try and lower the price of the guitar, then he should not have a handmade guitar in the first place. idunno

Lars.


Top
 Profile  
 
PostPosted: Tue Aug 25, 2009 5:40 pm 
Offline
Koa
Koa
User avatar

Joined: Sun Jun 21, 2009 6:34 pm
Posts: 1058
Country: Canada
Lars, not meant for you but just a general statement. I just think that customer service, and having a happy customer in this day and age is something that has been forgotten, but is very important. Not to say that luthiers are bad in this area, because I dont really know. But I am sure most have excellent customer service.


Top
 Profile  
 
PostPosted: Tue Aug 25, 2009 5:47 pm 
Offline
Koa
Koa
User avatar

Joined: Fri Feb 22, 2008 8:26 am
Posts: 1041
Location: sweden
First name: Lars
Last Name: Stahl
City: Stockholm
Country: Sweden
Focus: Build
Status: Amateur
I could not agree more !!!!! good to hear you say this. and hey, the though is the starter to a new time, so lets hope the future will be brighter.

Your friend Lars.


Top
 Profile  
 
Display posts from previous:  Sort by  
Post new topic Reply to topic  [ 36 posts ]  Go to page Previous  1, 2

All times are UTC - 5 hours


Who is online

Users browsing this forum: Ken Nagy and 12 guests


You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot post attachments in this forum

Jump to:  
Powered by phpBB® Forum Software © phpBB Group
phpBB customization services by 2by2host.com