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PostPosted: Wed Jun 18, 2014 8:36 am 
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First name: Chris
Last Name: Ensor
City: Springfield
State: Missouri
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I had a great opportunity this year to work on a very special project. My client approached me with a special request: he wanted twin heirloom guitars built for his grandkids. But more than that, he wanted to use walnut that he and his father had felled on their family farm in the early 90s. The wood was "sub par" for normal lutherie wood, but the project made this one a no brainer for me. I have a very close relationship with my grandfather and seeing where his heart was with this project really hit home with me.

So I traveled up to his place to dig through the piles of rough lumber and burls. He originally wanted solid burled walnut back & sides, but the burls were too small and filled with defects that made them unstable for such important parts. Instead, I assured him that I would work in the burl in as many accent places as I could. When I left his place, I had a car full of large boards of walnut, burls, and little bit of quartersawn white oak.

He had insisted that the guitars be as close to identical as possible, so I carefully resawed the walnut so as to be able to get both guitars' back & sides from the same billet. Throughout the process I often held the guitars next to one another to transfer the location of one detail to the other.

I am extremely happy with how these guitars turned out. It was a very rewarding process and one that I am proud to have been a part of. The draw of lutherie for me is the ability to take a tree that has been cut down and give it new life. This project went one step further and allowed me to be a part of something so much larger than myself.

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PostPosted: Wed Jun 18, 2014 8:47 am 
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Very cool Chris. It's great to be able to do something with unique wood like that. What's going on on the side? Looks like an inlay. Just curious. How wide is the Walnut purfling on the top? Looks great with the rosette. You did a good job of getting the aesthetics tied together.


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PostPosted: Wed Jun 18, 2014 9:22 am 
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Brazilian Rosewood
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I'd not call that walnut sub par looks real nice to me. So... Which one sounds better? :)


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PostPosted: Wed Jun 18, 2014 9:43 am 
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Danny,
The sides have a small burl inlay that is outlined in ebony. One of the guitars had a defect in the sides, so I used it as an opportunity to incorporate some more burl. The walnut purfling is .085 wide.

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PostPosted: Wed Jun 18, 2014 9:45 am 
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jfmckenna wrote:
I'd not call that walnut sub par looks real nice to me. So... Which one sounds better? :)


Actually, there is a very slight difference between the two- mostly in volume.

As for the quality of the wood, there were knots, voids, and cracks that all had to be stabilized. It made it very difficult to bend the sides.

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PostPosted: Wed Jun 18, 2014 9:54 am 
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Ah ok I see. Well you made them look quite nice.


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PostPosted: Wed Jun 18, 2014 10:39 am 
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I love these kind of stories. My phone just keeps buffering so I haven't got a chance to see them yet. Has to do with a rock concert that just left town. Out towers are turned the wrong way.


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PostPosted: Wed Jun 18, 2014 12:20 pm 
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Wow!

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wah
Wah-wah-wah-wah
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PostPosted: Wed Jun 18, 2014 12:28 pm 
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Wow indeed. Nice duo there Chris. I really like the aesthetics, kinda been a good project all round, Congrats.

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The name catgut is confusing. There are two explanations for the mix up.

Catgut is an abbreviation of the word cattle gut. Gut strings are made from sheep or goat intestines, in the past even from horse, mule or donkey intestines.

Otherwise it could be from the word kitgut or kitstring. Kit meant fiddle, not kitten.


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PostPosted: Wed Jun 18, 2014 12:36 pm 
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First name: Chris
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Here is a video of the guitars being played:


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PostPosted: Wed Jun 18, 2014 3:02 pm 
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Beautiful guitars. Its cool how they hover in the photos


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PostPosted: Wed Jun 18, 2014 3:38 pm 
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Very very nice Chris.

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PostPosted: Wed Jun 18, 2014 6:24 pm 
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Absolutely amazing looking and sounding. Great job!!


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PostPosted: Wed Jun 18, 2014 6:26 pm 
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Rad.

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PostPosted: Wed Jun 18, 2014 6:37 pm 
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I would say your client got the heirlooms he wanted. Very nice guitars and story. Thanks for sharing.


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PostPosted: Wed Jun 18, 2014 7:14 pm 
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A great project that turned out great!

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PostPosted: Wed Jun 18, 2014 7:24 pm 
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First name: Lonnie
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City: Manchester
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I finally got to see them and hear them. Great job great story.


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PostPosted: Wed Jun 18, 2014 9:04 pm 
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Thanks for all the nice words everyone. This was a very rewarding project.

Quine,
The hovering guitar option is becoming very popular with my clients. :mrgreen:

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PostPosted: Wed Jun 18, 2014 9:14 pm 
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City: Jonesboro
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Very nice Chris.


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PostPosted: Wed Jun 18, 2014 10:25 pm 
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Great story. Great craftsmanship. Great legacy.

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PostPosted: Thu Jun 19, 2014 8:51 am 
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They are outstanding, Chris. Wonderful job bringing your client's wish to life!


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PostPosted: Thu Jun 19, 2014 5:45 pm 
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They certainly are a great looking pair of guitars.

Steve


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PostPosted: Thu Jun 19, 2014 5:59 pm 
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It looks great, bravo

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PostPosted: Thu Jun 19, 2014 6:34 pm 
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Chris Ensor wrote:
This was a very rewarding project.
I bet! Congratulations on making such a success of it!


Last edited by Nick Royle on Thu Jun 19, 2014 7:29 pm, edited 1 time in total.

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PostPosted: Thu Jun 19, 2014 6:48 pm 
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They both look and sound great. What a great project. Congratulations on a successful completion.

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