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PostPosted: Tue Jan 07, 2014 1:13 pm 
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To those who would consider spending significant time (and money) to study with someone prominent I would first ask them "are you ready"?
By the time I went to Spain to take the Romanillos course, I had been building for over forty years and was in a position to get the most out of what he had to offer. It was my first formal learning experience in all that time and I made a point to fully participate in the methods he offered as well as being constrained by the extremely limited tools (one little power jig saw) which were present. This included learning to use a hand cutter and chisel to cut our binding and purfling ledges.

It was a bit distressing to see that many who had been admitted to the course (by virtue of their position on the waiting list) were beginners who in some cases were making their first guitar. These folks struggled with the most basic aspects of woodworking and were in no position to absorb the unique offering that they were privy to.
Sad, especially when there were others who were more deserving still on the waiting list.
As far as the course specifically, though I've been in recent touch with Jose' and Marian on other matters, it does seem clear that the museum in Siguenza has closed due to financial issues and that they are looking for a new home for it's collection.
Because the most recent courses (the one Robbie attended) were associated with the museum, I'm assuming a new venue would also have to be found if these were to continue.........?


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PostPosted: Tue Jan 07, 2014 2:24 pm 
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Location: London, England
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Quote:
Sad, especially when there were others who were more deserving still on the waiting list.


Absolutely, that's sad. In a way it isn't really their fault though if they don't fully appreciate the situation. Maybe their skill levels should have been assessed before their names were added to the list/accepted onto the course.

A lot of people, myself included, probably answered the thread's subject line rather than Filippo's OP, so didn't limit their choices to those they were actually likely to get a course with. I gave two names in my post, one who does seem to offer courses and one who doesn't. I wasn't suggesting that I expected the latter to take me as a student, I just know that he specialises in, and is well respected for, something I'd particularly like to learn.

(As for my first choice, Mr Gore, I'm currently trying to learn from his text so of course I'd love to see and hear him demonstrating various theories/techniques from the book in person. I've only had the book for a short while, so I wouldn't be prepared for such a course until I've studied a lot more and built several more guitars [at the very least] but there was no time restriction in the question.)

I don't mean to sound defensive, just joining the conversation.


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PostPosted: Tue Jan 07, 2014 4:13 pm 
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You're right Nick, it wasn't their fault, or anyone's really.
Of the twenty or so students that year, five of us were from the U.S., four from the UK, five from Spain, two from Japan, three from Germany and one from Australia.
Thus, there was no way to have a juried selection, nor would I expect that requirement for much of the instruction generally available.
It's just that many could have saved the airfare to Spain and the $3500. course fee if they had honestly evaluated their skill level and sought out more local or regional instruction which, purely on a guitar making level, would have served them just as well.............as a once- in-a-lifetime chance to meet Jose' and his family however they still had quite a memorable experience. And one to treasure.


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PostPosted: Tue Jan 07, 2014 5:42 pm 
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Quote:
if they had honestly evaluated their skill level and sought out more local or regional instruction...
That would certainly have been more appropriate. [Just as an aside, I went on a course for first time builders which was good value but not exactly local! India! Thankfully, it's a country I love, so I had a nice holiday and made some great memories! Not quite Jose (no offense, Chris), but just what I needed!]


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PostPosted: Tue Jan 07, 2014 7:52 pm 
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Todd Stock wrote:
fingerstyle1978 wrote:
However I'm thinking about using my GI Bill to attend Robert Venn School of luthiery out in Phoenix. I'd never pay $10K of my own money for a luthiery course, but I will gladly use a $10K chunk out of my GI Bill for it. Anyone familiar with this?


I am familiar with some of the grads. Given that what is taken out of a course is proportional to what has been put in by the student and instructor, I would look carefully at all of the residence programs before signing up for anything.

And apprenticeship versus student versus whatever...I would not call any period of instruction under 10,000 hours of full-time work an 'apprenticeship', given that the aim of apprenticeship is sufficient mastery to proceed to journeyman status and work either unsupervised or in larger shops where close supervision by a master is impractical. I think there is a tendency - particularly in the US - to elevate what is in essence a short internship or traineeship to something suggesting more mastery and structure than supported in fact. Given what I have seen of the grads, even a longer course such as the sort Roberto-Venn offers is aimed at an introduction to the craft and some basic level of proficiency in a subset of luthier and related tasks (machine and hand tool use, prep and simple finishes, etc.), versus something approaching journeyman status. That some of the grads are more proficient reflects on their own talents and work ethic, rather than the overall standards of the institution.

I also don't care to see an informal, open-ended situation referred to as a course of instruction or a class; it's may be both less than or more than that, so I usually suggest to folks that - having built an instrument with someone - refer to it as exactly that - "I built an instrument with so-and-so" rather than "I studied...", "I assisted...", "I swept floors for...", etc.

And for the record, whomever chooses to have Filippo grace their shop for a week or so will - upon reflection - get as much or more out of the experience than their erstwhile student. At the very least, insist upon Morelli providing the coffee making gear and beans.


After reading reviews and the curriculum of R-Venn I am going to pass on it. Too cookie cutter and intro level. Im certainly a beginner, but I feel like i've read, watched and done enough over the past few years that I wouldn't get what I am looking for out of it. I feel like my time would be better spent getting experience on my own.

I also don't really have any interest in electrics right now and it seems like half the course is focused on that. What drew me to it was that I could use a chunk of my GI Bill.


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PostPosted: Tue Jan 07, 2014 9:20 pm 
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Brazilian Rosewood
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Hi Filippo,
I think you should learn to carve archtops with Frank. It is something you want to do, is of reasonably limited scope so you can actually learn something in a weeks time, and you have done the basics already. Also he is within driving distance of you, so future visits wouldn't be out of the question.
I've never taken any of his classes but have only heard good things from those who have.


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PostPosted: Tue Jan 07, 2014 10:22 pm 
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Location: 8.33±0.35 kpc from Galactic center, 20 light-years above the equatorial in the Sol System
First name: duh
Last Name: Padma
City: Professional Sawdust Maker
Focus: Build
.

The ?adma-pa Institute for Looferizeming

The art of looferin around is filled with much danger
and mystery. Therefore is best to seek training in and learning
of the ancient loofers skills only from me duh ?adam, Master Loofer
and founder of the

?adma-pa Institute for Looferizeming.


Or from one of my franchised discipleship soon coming to an area near you.
Dealers inquiries welcomed.

Feel free to contact to the ?adma-pa Institute C/O dis here website. Be sure
to enclose $20 for your very own program prospectus of investing your future
in Loofering with duh ?adma

_________________
.

Audiences and dispensations on Thursdays ~ by appointment only.



.


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PostPosted: Tue Jan 07, 2014 11:19 pm 
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Love how you misspell most everything else, but got prospectus right, lol.

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The only thing nescessary for evil to thrive is for good men to do nothing.


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PostPosted: Wed Jan 08, 2014 7:42 am 
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Old Growth Brazilian Rosewood
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Location: Ann Arbor, Michigan
First name: Hesh
Last Name: Breakstone
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State: Michigan
Country: United States
Status: Professional
fingerstyle1978 wrote:
Todd Stock wrote:
fingerstyle1978 wrote:
However I'm thinking about using my GI Bill to attend Robert Venn School of luthiery out in Phoenix. I'd never pay $10K of my own money for a luthiery course, but I will gladly use a $10K chunk out of my GI Bill for it. Anyone familiar with this?


I am familiar with some of the grads. Given that what is taken out of a course is proportional to what has been put in by the student and instructor, I would look carefully at all of the residence programs before signing up for anything.

And apprenticeship versus student versus whatever...I would not call any period of instruction under 10,000 hours of full-time work an 'apprenticeship', given that the aim of apprenticeship is sufficient mastery to proceed to journeyman status and work either unsupervised or in larger shops where close supervision by a master is impractical. I think there is a tendency - particularly in the US - to elevate what is in essence a short internship or traineeship to something suggesting more mastery and structure than supported in fact. Given what I have seen of the grads, even a longer course such as the sort Roberto-Venn offers is aimed at an introduction to the craft and some basic level of proficiency in a subset of luthier and related tasks (machine and hand tool use, prep and simple finishes, etc.), versus something approaching journeyman status. That some of the grads are more proficient reflects on their own talents and work ethic, rather than the overall standards of the institution.

I also don't care to see an informal, open-ended situation referred to as a course of instruction or a class; it's may be both less than or more than that, so I usually suggest to folks that - having built an instrument with someone - refer to it as exactly that - "I built an instrument with so-and-so" rather than "I studied...", "I assisted...", "I swept floors for...", etc.

And for the record, whomever chooses to have Filippo grace their shop for a week or so will - upon reflection - get as much or more out of the experience than their erstwhile student. At the very least, insist upon Morelli providing the coffee making gear and beans.


After reading reviews and the curriculum of R-Venn I am going to pass on it. Too cookie cutter and intro level. Im certainly a beginner, but I feel like i've read, watched and done enough over the past few years that I wouldn't get what I am looking for out of it. I feel like my time would be better spent getting experience on my own.

I also don't really have any interest in electrics right now and it seems like half the course is focused on that. What drew me to it was that I could use a chunk of my GI Bill.


If I were a younger dude without the usual commitments of an older dude and I wanted to enroll in a Lutherie school my first and possibly only choice would be the Galloup School of Lutherie. http://www.galloupguitars.com/schools-of-lutherie-luthier.htm

Don't know if Bryan does the GI bill thing or not but you could contact them and ask.

World-class Lutherie education in beautiful Michigan!


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PostPosted: Wed Jan 08, 2014 10:09 am 
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Posts: 1315
Location: Branson, MO
First name: stan
Last Name: thomison
City: branson
State: mo
Zip/Postal Code: 65616
Country: united states
Focus: Build
Status: Professional
Been blessed over the years. Have spent time and became friends with John Mayes and worked with Bill Moll and he is still "The Boss" and great friend and brother. But he is now into other things and semi retired. Also was able to work with great builders like John Slobod and others an Dana Bourgeois shop in Maine a few months. Add in others on an internet and telephone help on a personal basis over the years and it has been a good ride.


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PostPosted: Wed Jan 08, 2014 10:25 am 
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First name: Alex
Last Name: Kleon
City: Whitby
State: Ontario
Zip/Postal Code: L1N8X2
Country: Canada
Focus: Build
Status: Amateur
I'm in, Padma! I'll just dip into my discretionary funds!Image

Alex


Sent from my iPhone using Tapatalk

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PostPosted: Wed Jan 08, 2014 10:43 am 
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Joined: Tue Jun 30, 2009 3:20 pm
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I'd rather come up with my own ideas actually, but i wouldn't mind talking to James Goodall or Ben Tortorici for a couple of hours.


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PostPosted: Wed Jan 08, 2014 11:53 am 
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Last Name: sallis
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Zip/Postal Code: ne46xe
Country: UK
Focus: Build
Status: Amateur
David LaPlante wrote:
To those who would consider spending significant time (and money) to study with someone prominent I would first ask them "are you ready"?
By the time I went to Spain to take the Romanillos course, I had been building for over forty years and was in a position to get the most out of what he had to offer. It was my first formal learning experience in all that time and I made a point to fully participate in the methods he offered as well as being constrained by the extremely limited tools (one little power jig saw) which were present. This included learning to use a hand cutter and chisel to cut our binding and purfling ledges.

It was a bit distressing to see that many who had been admitted to the course (by virtue of their position on the waiting list) were beginners who in some cases were making their first guitar. These folks struggled with the most basic aspects of woodworking and were in no position to absorb the unique offering that they were privy to.
Sad, especially when there were others who were more deserving still on the waiting list.
As far as the course specifically, though I've been in recent touch with Jose' and Marian on other matters, it does seem clear that the museum in Siguenza has closed due to financial issues and that they are looking for a new home for it's collection.
Because the most recent courses (the one Robbie attended) were associated with the museum, I'm assuming a new venue would also have to be found if these were to continue.........?


That's an interesting story, David.
I find it suprising that he would mix beginers and pros in one class. It's usually just as frustrating for the teacher as it is the student to have wide apart mix abilities in one class.
I would like to have a class with Cumpiano.

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We are all in the gutter but some of us are looking at guitars.


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PostPosted: Wed Jan 08, 2014 12:51 pm 
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First name: Joey
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Country: United States
Focus: Build
Status: Semi-pro
Thanks Hesh and Todd- I'll look into it. Not sure if school is practical once I get out of the Army though. The Bills aren't going to stop Rollin' in!


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PostPosted: Wed Jan 08, 2014 1:09 pm 
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Koa
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Location: 8.33±0.35 kpc from Galactic center, 20 light-years above the equatorial in the Sol System
First name: duh
Last Name: Padma
City: Professional Sawdust Maker
Focus: Build
[quote="Alex Kleon"]I'm in, Padma! I'll just dip into my discretionary funds!Image

Alex


Yay Alex,

Thank you for choosing duh ?adma as your personal loofering guroo.

As the course is filling up fast, is best you deposit all your discretions in me Swiss acct. asp.
Me already pm you the #.


Blessings
duh Padma

_________________
.

Audiences and dispensations on Thursdays ~ by appointment only.



.


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PostPosted: Thu Jan 09, 2014 8:44 pm 
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Walnut
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Joined: Wed Nov 09, 2011 7:09 pm
Posts: 30
First name: Dylan
City: Santa Fe
State: New Mexico
Zip/Postal Code: 87506
Country: United States
Focus: Build
I would like to know how many people read this thread secretly hoping to see their own name.

As for me, I would choose someone who offered daycare for a one year old. Otherwise it's probably not going to happen.


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PostPosted: Thu Jan 09, 2014 8:55 pm 
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Oh, I was sure someone would want to study with me: You could learn a thing or two about procrastination. And if you follow my procedures, I can pretty much guarantee you'll never make a symmetrical guitar again!


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PostPosted: Fri Jan 10, 2014 11:56 am 
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Walnut
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Sounds enticing Nick. Let me know when a spot opens up. There is, after all, much to fear from symmetry.


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PostPosted: Fri Jan 10, 2014 12:09 pm 
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:lol: That could be my advertising strapline!


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