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PostPosted: Sun Jun 10, 2012 9:21 am 
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This is a cool project ! Love the blue bindings, but would have loved to see the whole top blue instead of a busrt. Still looks great though.
Any reason you didn't run bindings in the cutaway area?

I hope it sounds as good as it looks! Fantastic!

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PostPosted: Sun Jun 10, 2012 10:47 am 
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I am in love with this guitar. You sir are a Genius!

I love breaking out of the traditional molds and going "different". I only (for now) build classical's, and I'm inspired by your out of the box thinking for a cross-over too.

Can't wait to see it finished.
Steve


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PostPosted: Sun Jun 10, 2012 2:03 pm 
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Really really cool guitar. wow [:Y:] [:Y:] [:Y:] [clap] [clap]

Lars


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PostPosted: Sun Jun 10, 2012 11:03 pm 
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What if I may ask is the "hollow dragon" concept? Please excuse my ignorance.

:mrgreen:

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PostPosted: Mon Jun 11, 2012 7:40 am 
I have to agree, I saw this Guitar at the Blues Creek open house
It was like the sexiest girl at the bar, I couldn’t take me eyes off her
I finally got the nerve to go over and say hello, her long slender frame
her vivacious curves, I just had to put my hands on her…

Seriously, the design of this instrument is outstanding and the workmanship is second to none.

SA


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PostPosted: Mon Jun 11, 2012 10:06 am 
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verhoevenc wrote:
That cutaway area is at a 30 degree angle to the sides to facilitate higher fret access. I couldn't figure out a way to cut that channel at a consistent, and matching, width to the rest of the binding. Purfling even more so :P
That said, I don't dislike the look of not having binding there now that I've done it.
Chris

This is a very pleasing and original design, I like the blue, but can see your original thought of a smaller burst.
For binding and purfling on the cutaway. Some times it is possible to get a bearing on the shaft of the router bit and hold it with a c clip. I used to have some bits modified this way doing windows so I could make room when the insulated glass was a touch big.
Otherwise, how about the drill press as a pin router trick. Template goes to the bottom of the guitar with the shape of the guitar top cut area. The template gets the 2 channels done with the binding/ purfling set ups, and an area is left untouched for reference.
Drill press would need an insert set up, so a table that can take a 3" square block in the table. Two options with the pins, either make 3 different blocks at the same time with 3 different pin heights, one for each height on the template, or make one block, with a 1/4 ID bronze bearing and 3 pins that can set into it. If you do the bearing version, you can chuck a 1/4" rod into the drill press and into the bearing on the table, position the template with this. Then chuck your 1/4" router bit and corresponding pin.
I am guessing the top is domed, which makes it all harder, but it can still work, you may need a third hand though.
Rob

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PostPosted: Mon Jun 11, 2012 10:11 am 
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What effect does the narrow waist have on the sound? If any.


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PostPosted: Mon Jun 11, 2012 11:09 am 
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verhoevenc wrote:
Ah, what David is referring to is his neck joint attachment on his hollow dragonfly models. I highly suggest exploring Mr. Myka's website: http://www.mykaguitars.com
As for the drill press idea, I still don't think that will work. Remember, the side is at 30 degrees. I can't route a channel straight down. Over the 1/4" or so height of the binding, if the slot is straight down, I will have sanded through it. The channel must not only be the correct width when viewing for the top, but also be parallel to the 30 degree angled side.
Chris

I figured the binding would be pretty thin at the bottom, perhaps it could be thicker, so the purf would rout into the binding. However the same concept will still work with the drill press table tilted, lot of work for a couple inches of trim. I actually like it without the trim there, it just needs a similar break some where else to balance it, perhaps a line on the rosette somewhere could tie it in.

+1 on exploring Myka's website. I have stared at his work in awe past my bedtime way too often. Very inspirational work, his eye for incorporating features into a design is amazing.
Rob

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PostPosted: Mon Jun 11, 2012 12:30 pm 
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verhoevenc wrote:
Remember, the side is at 30 degrees. I can't route a channel straight down. Over the 1/4" or so height of the binding, if the slot is straight down, I will have sanded through it. The channel must not only be the correct width when viewing for the top, but also be parallel to the 30 degree angled side.
Chris


I wonder if using a gramil would work? I've honestly never used one, but mechanically, it makes sense. Then you could just work out the excess with a small chisel.


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PostPosted: Mon Jun 11, 2012 3:33 pm 
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I wonder if using a gramil would work? I've honestly never used one, but mechanically, it makes sense. Then you could just work out the excess with a small chisel.[/quote]
Waaaayyyy to simple and effective, contraptions are the only way, something complicated with custom router bits, and a special router that spins backwards, and a laser to line it all up.

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PostPosted: Tue Jun 12, 2012 12:13 am 
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PostPosted: Fri Nov 23, 2012 8:37 pm 
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That looks amazing! I bet it sounds great also. Great work.

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PostPosted: Wed Dec 19, 2012 10:15 pm 
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Yay Chris! [:Y:] [:Y:] Very cool. Are you happy with the neck joint? It's looks you would have had to put a bit of thought into it. Black and white ebony bridge?

Been a while coming but it looks like it was worth it. Are they lining up for Christmas orders?

Cheers,
Danny


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PostPosted: Wed Dec 19, 2012 11:41 pm 
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Are you going to post sound clips?

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PostPosted: Thu Dec 20, 2012 1:38 am 
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Beautifully done.


Posted using letters to form words, sentences and thoughts.

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PostPosted: Thu Dec 20, 2012 6:10 pm 
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verhoevenc wrote:
So I finally got around to prodding Todd into helping with his photo skills. She's been done awhile now and she's REALLY started to open up nicely. Dare I say this is my favorite acoustic (and maybe even guitar) I've ever built, and I don't say that about all the new ones.


That's cool, man. I definitely love the design. How many acoustics have you built? I'd love to hear sound clips, too. Even just a video would be nice.


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PostPosted: Thu Dec 20, 2012 6:40 pm 
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I think it's a terrific concept for an instrument and I like almost every little thing about it. I do not care for the blue burst, but that's just me. It's not my instrument so it doesn't matter whether I care for it. I think the character of the wood is so interesting elsewhere that I would have taken a different path on the burst. But, hey! You've got the mold, plans, patterns, etc. You can build a bunch of them in many different finishes!
Very nice, indeed.
Patrick


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PostPosted: Thu Dec 20, 2012 8:21 pm 
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I think it's totally awesome. Seriously. Talk about thinking outside of the box...

The blue, in combination with the light streaked wood, the shape, like...wow.

And great job turning your electric solid body into a fitting acoustic counterpart.

Nicely done, I'm impressed..beautiful.


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