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PostPosted: Sat May 05, 2012 12:35 pm 
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Of the woods on the list, I prefer kingwood.
Nearly all of the fingerboards I use on new builds are ebony. In spite of the so-called problems, I still think it is the best.
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using a wood that is a known strong sensitizer for a fretboard is a bad idea. What happens if your customer does develop a reaction to it?

I have never known anyone to have a reaction to contacting the wood itself. It is the dust that is the problem. Even if solid wood contact could elicit a reaction, the chance of it happening to callused fingertips is remote.
I have had contact dermatitis to cocobolo dust, but it has been limited to the more sensitive areas.

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PostPosted: Sat May 05, 2012 8:16 pm 
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I've heard you make that argument before John, but again I ask, is it worth the risk? Oils can and do leach out of wood, and they're not going to be any less of an issue than the dust.

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PostPosted: Sat May 05, 2012 9:14 pm 
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What no suggestions for richlite?

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PostPosted: Sun May 06, 2012 4:53 am 
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It all depends on which indigenous people of the rain forest you want to kill off first.

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PostPosted: Sun May 06, 2012 12:36 pm 
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i cant stand working with gloves on so I just put up with it & wash w/ cold water. Dust collector, long sleeves & a mask do the job for me.

As far as an allergic reaction from playing? Never seen calused fingers beak out in hives. Plus I finish the board w/ tru oil so i dont think theres enough contact to cause a problem. Could be a diffrent story if you played with your teeth alot!


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PostPosted: Sun May 06, 2012 5:16 pm 
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Shaw wrote:
What no suggestions for richlite?


Same with Micarta... your not going to get a rise out of these folks. I tried. pfft beehive

Mike (who would prefer ebony any time of the day over anything else... I buy up chunks of the stuff whenever I can find it)


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PostPosted: Sun May 06, 2012 5:27 pm 
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Joe Sallis wrote:
It all depends on which indigenous people of the rain forest you want to kill off first.


So which is your preference, Joe?


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PostPosted: Mon May 07, 2012 12:39 am 
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I like macassar ebony the most.

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PostPosted: Mon May 07, 2012 2:30 pm 
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So which is your preference, Joe?


Charlie, used to be I'd kill anyone for a good piece of wood. Nowadays, I'm lucky to have access to recycled wood so choice is a bit random. I'd use paduak for FB at the moment. I'm not trying to compete with others to sell my instruments so it's easier for me to make those choices and easier still for me to write- my conscience is more important than my guitars (mostly!)

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PostPosted: Mon May 07, 2012 4:25 pm 
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again I ask, is it worth the risk? Oils can and do leach out of wood, and they're not going to be any less of an issue than the dust.

If you can produce one confirmed case of rash on the hands from handling cocobolo, then I will stand corrected.
I have had about as severe an allergic reaction to the dust that I have seen anywhere, yet I have had no problems at all handling the wood...even with bare, sweaty hands.

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PostPosted: Mon May 07, 2012 7:13 pm 
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Chess pieces, bowls and even duck calls are made from cocobolo. It's not a rare wood by any means and I must say I've only ever heard of a reaction from actually working with the wood.


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PostPosted: Mon May 07, 2012 7:32 pm 
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Joe Sallis wrote:
......my conscience is more important than my guitars (mostly!)


I prefer ebony and Indian rosewood and my conscience is quite clear (always!), but whatever works for you......


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PostPosted: Mon May 07, 2012 7:42 pm 
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Wenge is pretty porous stuff; do you use some kind of pore fill or just use it au naturale?

Sand to 600 and teak oiled. I don't find the pores to be a big deal.


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PostPosted: Mon May 07, 2012 7:46 pm 
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Ken Franklin wrote:
I like macassar ebony the most.


+1

Although for fretless banjos, you really can't beat phenolic. It's good for fretted fingerboards too--Charles Fox was using it when I was up at Earthworks years ago. Stinks like the devil when you cut it, and it will dull your tools quickly. Lasts forever though.

Dave


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PostPosted: Mon May 07, 2012 9:37 pm 
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Mike Dotson wrote:
Wenge is pretty porous stuff; do you use some kind of pore fill or just use it au naturale?

Sand to 600 and teak oiled. I don't find the pores to be a big deal.


Thanks Mike...I may have to give it a try.


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PostPosted: Tue May 08, 2012 2:04 pm 
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Spoken like someone that has never set foot in a jungle. Ignorance...thy name is Western guilt.


Todd, I presume your talking about me. I spent 3 years in Indonesia and visited the rainforest many times.
I'm not actually the only person in the world who believes that the type of logging carried out in rainforests at the moment doesn't benefit the indigenous people, it's quite a well held view.
Ignorance... isn't that a term for people who don't listen to others and see themselves as superior?
I have to admit I regret my original post. This forum should only be about things related to guitar making. I'll not be posting my environmentalist views here ever again.

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PostPosted: Tue May 08, 2012 2:21 pm 
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Joe Sallis wrote:
I'll not be posting my environmentalist views here ever again.


Thank you.


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PostPosted: Tue May 08, 2012 2:45 pm 
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My favorite to look at is ziricote. Ebony and rosewood seems to be the most used though. I like hard maple on electrics the most.


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PostPosted: Tue May 08, 2012 11:29 pm 
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Quote:
I'm not actually the only person in the world who believes that the type of logging carried out in rainforests at the moment doesn't benefit the indigenous people, it's quite a well held view.

My question is how padauk (a tropical hardwood) fits in with that philosophy.

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PostPosted: Wed May 09, 2012 3:18 am 
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[quote]My question is how padauk (a tropical hardwood) fits in with that philosophy.
[quote]

John, if you read my post properly I write that I use recycled woods wherever I can which makes my choice of FB a bit random, at the moment I have access to padauk, if I could use recycled ebony- fantastic. I think ebony is the best wood for FB I have ever used. I love the way it works under plane and scraper. It would be my first coice of FB material.

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PostPosted: Wed May 09, 2012 6:08 am 
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I use mostly Indian and macassar ebony, occasionally various rosewoods, ziricote, or local stuff like maple, or pear. I made a pair of dreads for the same guy last year, which had African blackwood 'boards, and the customer is convinced that this choice of wood has an important impact on their sound (which he loves). The other woods are red spruce and BRW, red spruce and pernambuco, so... But maybe, who knows, and why not? ABW should be pretty resistant to wear, it taps like a bell, its not that hard to find in FB size, and it sure looks good ("traditional", even); what's not to like?

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PostPosted: Wed May 09, 2012 6:13 am 
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Arnt Rian wrote:
I use mostly Indian and macassar ebony, occasionally various rosewoods, ziricote, or local stuff like maple, or pear. I made a pair of dreads for the same guy last year, which had African blackwood 'boards, and the customer is convinced that this choice of wood has an important impact on their sound (which he loves). The other woods are red spruce and BRW, red spruce and pernambuco, so... But maybe, who knows, and why not? ABW should be pretty resistant to wear, it taps like a bell, its not that hard to find in FB size, and it sure looks good ("traditional", even); what's not to like?


Where can I get African blackwood fretboards? LMI used to have it but not anymore.

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PostPosted: Wed May 09, 2012 11:12 am 
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Quote:
if I could use recycled ebony- fantastic.

You have a reasonable view, but it is one not often held by the 'save the planet' crowd. They (not me) contend that any use of a questionable material just encourages more exploitation.

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PostPosted: Wed May 09, 2012 11:14 am 
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@TaiFu:

http://www.prosono.co.za/


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PostPosted: Wed May 09, 2012 2:39 pm 
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Quote:
You have a reasonable view, but it is one not often held by the 'save the planet' crowd. They (not me) contend that any use of a questionable material just encourages more exploitation.


John, as I wrote before, I make guitars as a hobby so I can be more flexible in my wood choice. If i were a professional luthier I would use all the tropical hardwoods available but I would put some research into how the wood was obtained (I'm sure most reputable companies already do this). The "save the planet crowd" have their hearts in the right place if not their minds, oops, a environmentalist view slipped out there, sorry Charlie!

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