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PostPosted: Sun Jul 04, 2010 1:03 pm 
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Brazilian Rosewood
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First name: Stuart
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Well.....that took a while and there's a ways to go yet.


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I read Emerson on the can. A foolish consistency is the hobgoblin of little minds...true...but a consistent reading of Emerson has its uses nevertheless.

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PostPosted: Sun Jul 04, 2010 2:08 pm 
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Brazilian Rosewood
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verhoevenc wrote:
Shop and recording gear in the same room :S
Chris


No. The design office and studio are in a seperate room from the main room with a weather sealed door between them....and they are TWO rooms away from finishing....which also has a weather sealed door.

It did take me years to learn to seperate the finshing room from my studio though.

I bought new mixer after new mixer until the day I realized that it was the nitro that was wrecking them. Same with the Les Pauls but THOSE got wrecked from cleaning nitro off of them with acetone. laughing6-hehe

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I read Emerson on the can. A foolish consistency is the hobgoblin of little minds...true...but a consistent reading of Emerson has its uses nevertheless.

StuMusic


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PostPosted: Sun Jul 04, 2010 4:03 pm 
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Koa
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Hey Stuart...can I have those speakers? Obviously you won't need them....with all that noise you are going to making in there....

Uhhh....please?....

Seriously though...nice nice nice.

Chris

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PostPosted: Sun Jul 04, 2010 6:10 pm 
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Location: sweden
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Nice [:Y:] [:Y:] [:Y:]

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PostPosted: Sun Jul 04, 2010 8:11 pm 
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Brazilian Rosewood
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Chris aka Sniggly wrote:
Hey Stuart...can I have those speakers?


Tell you what....stand on the corner of W. Adams and S. Hogan, hang a cardboard sign around your neck that says, "Will work for speakers", and I'd guess your odds will improve.

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I read Emerson on the can. A foolish consistency is the hobgoblin of little minds...true...but a consistent reading of Emerson has its uses nevertheless.

StuMusic


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PostPosted: Sun Jul 04, 2010 8:50 pm 
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Zlurgh wrote:
Chris aka Sniggly wrote:
Hey Stuart...can I have those speakers?


Tell you what....stand on the corner of W. Adams and S. Hogan, hang a cardboard sign around your neck that says, "Will work for speakers", and I'd guess your odds will improve.


Soooooooooo it's a long shot right? laughing6-hehe laughing6-hehe

Way off topic for your thread but I just picked up a set old Polk Audio 5JR's for 40 bucks. I can remember my dad buying a set of these when I was a teenager. Great spreakers back then but even better now for the shop.

Okay...back on topic.

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There is no difference between the man that thinks he can....and the man that thinks he cannot.


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PostPosted: Sun Jul 04, 2010 8:57 pm 
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Koa
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Location: 8.33±0.35 kpc from Galactic center, 20 light-years above the equatorial in the Sol System
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Nice pic of nice new shop...

umm... weres the sawdust?

If you need some to seed the space ..let me know.

be
duh Padma

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PostPosted: Sun Jul 04, 2010 9:14 pm 
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Koa
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I see a lot of aluminum in those pics - and the CNC machine - can you CNC some jigs ? for a moderate price of course. I have some ideas....

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PostPosted: Sun Jul 04, 2010 11:02 pm 
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Koa
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I think you need a woman's touch in the decorating department duh

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PostPosted: Mon Jul 05, 2010 12:50 am 
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Ken McKay wrote:
I think you need a woman's touch in the decorating department duh


laughing6-hehe laughing6-hehe laughing6-hehe

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The name catgut is confusing. There are two explanations for the mix up.

Catgut is an abbreviation of the word cattle gut. Gut strings are made from sheep or goat intestines, in the past even from horse, mule or donkey intestines.

Otherwise it could be from the word kitgut or kitstring. Kit meant fiddle, not kitten.


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PostPosted: Mon Jul 05, 2010 9:46 am 
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Brazilian Rosewood
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John A wrote:
I see a lot of aluminum in those pics - and the CNC machine - can you CNC some jigs ? for a moderate price of course. I have some ideas....


I'd be happy to discuss that. Send me a PM with some details.

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I read Emerson on the can. A foolish consistency is the hobgoblin of little minds...true...but a consistent reading of Emerson has its uses nevertheless.

StuMusic


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PostPosted: Mon Jul 05, 2010 12:02 pm 
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Koa
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Are you a full timer or a part-timer?

Looks like a great setup - have fun!
Trev

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PostPosted: Mon Jul 05, 2010 3:22 pm 
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Koa
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Stuart, that looks great! I bet you'll have somefun there! Quick question. What do you mean, "the nitro was ruining the mixers"? Do you mean you were spraying nitro in the vicinity of your mixer, and that ruined them, or do you mean the nitro off-gassing did some damage?
I'm in a situation where I don't have to spray near my audio equipment, but the only (temperature controlled) place I have available to hang the gits until the nitro dries is in my studio.

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The only thing nescessary for evil to thrive is for good men to do nothing.


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PostPosted: Mon Jul 05, 2010 4:33 pm 
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Brazilian Rosewood
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Parser wrote:
Are you a full timer or a part-timer?


Full time with guitars since the shop has been finished but I get other work too. Every now and then I get to do research projects in my previous field. The shop was built to accomodate both possibilities.

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I read Emerson on the can. A foolish consistency is the hobgoblin of little minds...true...but a consistent reading of Emerson has its uses nevertheless.

StuMusic


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PostPosted: Mon Jul 05, 2010 4:39 pm 
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Brazilian Rosewood
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Mike Baker wrote:
Stuart, that looks great! I bet you'll have somefun there! Quick question. What do you mean, "the nitro was ruining the mixers"? Do you mean you were spraying nitro in the vicinity of your mixer, and that ruined them, or do you mean the nitro off-gassing did some damage?
I'm in a situation where I don't have to spray near my audio equipment, but the only (temperature controlled) place I have available to hang the gits until the nitro dries is in my studio.


Sorry about the humor. I found it absurd that someone would believe I was finishing guitars inside a recording studio. I was being facetious with verhoevenc. I'm still learning the internet.

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I read Emerson on the can. A foolish consistency is the hobgoblin of little minds...true...but a consistent reading of Emerson has its uses nevertheless.

StuMusic


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PostPosted: Mon Jul 05, 2010 6:36 pm 
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Koa
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Whew! Wht a relief! Build on!

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The only thing nescessary for evil to thrive is for good men to do nothing.


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PostPosted: Wed Jul 07, 2010 10:16 am 
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Brazilian Rosewood
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nice set-up stuart.
i think your studio needs some sound absorbtion stuff on the walls, like some foam egg-craty panels, as well as some movable
free standing baffles to stop sound from bouncing around against the walls.
my friends recording studio has a section of wall that has 2x4s and 2x6s vertical and alternating, stacked up next to each other
and that helps.


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PostPosted: Wed Jul 07, 2010 2:44 pm 
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Brazilian Rosewood
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First name: Stuart
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alan stassforth wrote:
nice set-up stuart.
i think your studio needs some sound absorbtion stuff on the walls, like some foam egg-craty panels, as well as some movable
free standing baffles to stop sound from bouncing around against the walls.
my friends recording studio has a section of wall that has 2x4s and 2x6s vertical and alternating, stacked up next to each other
and that helps.


Yeah...when I captioned that pic "do you think I'll need any acoustic treatments?" I was joking. That room echos like a canyon....and I knew it would when I built it. :) I ususally mix with a series of headsets and then use those V-8 monitors as a reference also...but they are useless without some absortion panels. I got the plan that will make that room dead and put my head out of the bass nodes...but I have other priorities at the moment.

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I read Emerson on the can. A foolish consistency is the hobgoblin of little minds...true...but a consistent reading of Emerson has its uses nevertheless.

StuMusic


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