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SKBarbour
PostPosted: Sat Sep 07, 2013 3:34 pm 
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I just glued the binding on the fretboard I'm working. I left a channel to set the abalone purfling in and it occurred to me that maybe the abalone should of went in first so that I could cut through the abalone to allow for the fret tang. Am I correct that the abalone purfling should be cut for the tang? Thanks for any help.

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Mike Baker
PostPosted: Sat Sep 07, 2013 4:34 pm 
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It would probably depend on the width of the purfling, but I would treat it like an extension of the fretboard binding and cut the tang back. MHO.

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TonyKarol
PostPosted: Sun Sep 08, 2013 10:40 am 
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Either way can work out just fine ... What I would do now in your situation is precut all the strips for the purf such that they are just shy of the fret slots in length .. you have to cuthte strips anyway, might as well make them a tad short, but under the fret crown ... you dont really want the shell right up to the fret as down the road it will most likely chip out when pulling frets for a refret ... my $.02

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SKBarbour
PostPosted: Sun Sep 08, 2013 12:28 pm 
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Thanks for the feedback guys. Tony, I was thinking along the same lines, but didn't think about the shell chipping out during a refret. Thanks for the advice.

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David LaPlante
PostPosted: Mon Sep 09, 2013 11:02 am 
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The wood will compress during fretting but not the abalone. Keep it back from the slot at least the width of the bead (if not more).
Attachment:
Laplante000-45.jpg


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mkellyvrod
PostPosted: Mon Sep 09, 2013 1:29 pm 
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That is really beautiful David!
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SKBarbour
PostPosted: Mon Sep 09, 2013 1:46 pm 
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David, thanks for both the pic and the advice. That looks amazing. I wish I had the skill it takes to add the border around the fretboard extension.

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Beth Mayer
PostPosted: Mon Sep 09, 2013 4:00 pm 
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David LaPlante wrote:
The wood will compress during fretting but not the abalone. Keep it back from the slot at least the width of the bead (if not more).
Attachment:
Laplante000-45.jpg


Wow, David...that's amazing. And perfect miters, too! Just to clarify, you advise stopping the segment of abalone just short of the slot. What is the "bead"?
Thanks, Beth
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David LaPlante
PostPosted: Tue Sep 10, 2013 4:20 pm 
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The "bead" are those little bumps along the tang of the fretwire designed to increase the width and to bite into the wood of the fretboard.
The key to those miters looking good is to have the camera slightly out of focus <G>.


These users thanked the author David LaPlante for the post: Beth Mayer (Tue Sep 10, 2013 5:41 pm)
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