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PostPosted: Fri Jun 28, 2013 4:10 pm 
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Cocobolo
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Beyond the obvious changes that would be necessary to convert a right-hand acoustic guitar to a left-hand model (such as new nut, pick guard, bridge, pin holes, properly compensated saddle slot, etc), is there anything in a typical bracing pattern that would cause any issues acoustically? Or would the bracing not really be an issue?

TIA,
Ken

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PostPosted: Fri Jun 28, 2013 5:19 pm 
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Brazilian Rosewood
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Shouldn't be a problem....


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PostPosted: Sat Jun 29, 2013 6:16 am 
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Mahogany
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The tone bars would be reversed.

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PostPosted: Sat Jun 29, 2013 8:29 am 
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Koa
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Have you seen Frank's photo essay?
http://www.frets.com/FretsPages/Musician/Guitar/Setup/LeftConv/leftconv.html

Adding fretboard position markers on the other side is another thing to do.

In the discussions that I have seen before the general consensus was that the reversed bracing pattern is not going to affect sound much - and you can't do anything about it anyway.


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PostPosted: Sat Jun 29, 2013 8:45 am 
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Koa
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Jose Oribe says he quit making differnet bracing for lefthand guitars because there is much lower resale value for lefthanded guitars. He also notes that the sound isn't much different.


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PostPosted: Sat Jun 29, 2013 2:06 pm 
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Brazilian Rosewood
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I hear many left handed musicians string a right handed guitar backward because they can't find left handed guitars easily. So I guess there's nothing wrong with that. Fender even makes a reverse strat (a left handed strat that has been strung right handed, or vice versa) because Jimi Hendrix used to string a right handed strat in reverse.

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PostPosted: Sat Jun 29, 2013 8:23 pm 
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Cocobolo
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Thanks for all of the input, fellows! It confirmed what I was already thinking about the switch-over.

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