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PostPosted: Mon Sep 10, 2012 2:53 pm 
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Koa
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I've started working on my next build, a L-00. Initially, I was thinking of sunbursting just the top, but I thinking I might want to sunburst the back, sides, and neck (It would be my first attempt.). I can't seem to find any photos showing the back, sides, and neck. All the photos on Google seem to be front shots. My ES-135 has amber on the upper and lower bouts (sides) and in the middle of the back and back of the neck. I assume the L-00 would also...

Does anyone have any photos of the of the back and sides, either of one you've built or a Gibson model? ...or do you have any comments or guidance?

Also, I'm trying to decide whether I should use white binding or wood, like maple ...or maybe something like rosewood - maybe even tortoise... Any comments? ...like - why on earth would you want to use tortoise? ...or, wood would be all wrong... or, don't do a sunburst...

Any comments are welcome.

Thanks,
Steve

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PostPosted: Mon Sep 10, 2012 2:59 pm 
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The sunburst you describe is pretty typical for Gibson, but I have never seen an L-00 done that way. All the ones I have seen are uniform dark brown on the back, sides, and neck.

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PostPosted: Mon Sep 10, 2012 3:39 pm 
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May give you some ideas
https://www.google.co.uk/search?q=pictures+l-00+guitar&hl=en&prmd=imvns&tbm=isch&tbo=u&source=univ&sa=X&ei=0U9OUOuXMaKq0QX174GQBw&ved=0CB4QsAQ&biw=1366&bih=643

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The name catgut is confusing. There are two explanations for the mix up.

Catgut is an abbreviation of the word cattle gut. Gut strings are made from sheep or goat intestines, in the past even from horse, mule or donkey intestines.

Otherwise it could be from the word kitgut or kitstring. Kit meant fiddle, not kitten.


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PostPosted: Tue Sep 11, 2012 5:28 am 
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John is right. Gibson did not sunburst the backs and sides of the L-00. You can Google for images of the ......Century of Progress Gibson..... It had the burst on the back and sides.

Here is my attempt on one of my 00 models with flamed maple binding:


Image

Image


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PostPosted: Tue Sep 11, 2012 6:09 am 
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James, that is awesome!
You just could not hide that maple completely, could you.
No pics of the front?
I feel I've been left hanging. idunno

Sorry! - is that Sapele?

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The name catgut is confusing. There are two explanations for the mix up.

Catgut is an abbreviation of the word cattle gut. Gut strings are made from sheep or goat intestines, in the past even from horse, mule or donkey intestines.

Otherwise it could be from the word kitgut or kitstring. Kit meant fiddle, not kitten.


Last edited by Colin North on Tue Sep 11, 2012 10:09 am, edited 1 time in total.

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PostPosted: Tue Sep 11, 2012 8:48 am 
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Outstanding looking work James !!


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PostPosted: Tue Sep 11, 2012 9:19 am 
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Brazilian Rosewood
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wow7-eyes WOW!

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PostPosted: Tue Sep 11, 2012 10:05 am 
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A John Greven Nick Lucas guitar I used to own:
Attachment:
Greven NL Back.jpg


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PostPosted: Tue Sep 11, 2012 12:08 pm 
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Colin North wrote:
James, that is awesome!
You just could not hide that maple completely, could you.
No pics of the front?
I feel I've been left hanging. idunno

Sorry! - is that Sapele?



Here is the front. Steve only asked for the back sides and neck. :)

Image

Yes, it is Sapele and I felt guilty even covering part of it with a burst.

Thanks for the kind comments.

James


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PostPosted: Tue Sep 11, 2012 12:17 pm 
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[uncle] That's, ehmm quite nice? (Faints)

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The name catgut is confusing. There are two explanations for the mix up.

Catgut is an abbreviation of the word cattle gut. Gut strings are made from sheep or goat intestines, in the past even from horse, mule or donkey intestines.

Otherwise it could be from the word kitgut or kitstring. Kit meant fiddle, not kitten.


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PostPosted: Wed Sep 12, 2012 9:26 am 
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Koa
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Location: Raleigh, NC
First name: Steve
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James and Glenn, Thanks for posting those photos. James - you did a nice job on that one... The maple binding looks really nice. I guess white binding allows you to scrap the bindng if neded to remove any color overspray, but the maple looks so good... I'm sure that good masking technique is important.

I'm building my L-00 with African Mahogany. I have never done a sunburst before. but then again, there's a lot of things I hadn't done 'til I did them...

Do you have any advise on the mixing of dye in laquer? That is, the concentration used - such as, drops per ounce or teaspoons per cup, or "season to taste"? Is there any preference for LMI's or Stew-Mac's product?

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www.swiftcreekguitars.com


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