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PostPosted: Fri Mar 12, 2010 4:44 pm 
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Koa
Koa
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Joined: Wed Apr 18, 2007 6:46 am
Posts: 1012
Location: Issaquah, Washington USA
I'm contemplating building an archtop using Holst's laminated top and back set. Can anybody give me tips on how to best cut the florentine cutaway into the set?

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Rich Smith
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PostPosted: Sat Mar 13, 2010 10:34 pm 
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Koa
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Location: Traverse City Michigan
Ricard,
Are you thinking of a Gibson ES 175? You can put a little corner block in there to attach the two pieces of the upper bout cutaway section. IF you are using an inside mold, (most do), fit the ribs into place to go into the corner, and it doesn't matter much if it is a miter or a butt joint. Because you will be covering it with a piece of trim.

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PostPosted: Tue Mar 16, 2010 8:25 pm 
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Koa
Koa

Joined: Fri Jan 25, 2008 9:55 am
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Location: Traverse City Michigan
Ricardo,

I misinterpreted your question. I am surprised that this question got on page 2 and no one followed up. oops_sign

You seem be inquiring about the plates not the sides. Right?

The arching of the plates will determine how they can be glued to the rib outline. Laminated plates are either flat in the whole upper bout, arched everywhere except in the cutaway section or completely customized to a specific pattern. Have a look at a Gibson ES 335, there is arching in the horns but they are flat where they attach to the kerfing.

The laminated plates I make vary. I have one pattern called single cutaway where the top and back molds are flat in the cutaway section where the kerfing would go on most patterns. This would include a gibson Es 175 pattern.

So you just make sure that the plate is going to be flat where you glue down to the rib/kerfing.

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PostPosted: Tue Mar 16, 2010 10:11 pm 
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Koa
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Joined: Wed Apr 18, 2007 6:46 am
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Location: Issaquah, Washington USA
Ken, thats right - the plates. I'll watch out for plates that are flat in the cut-out area. Thanks.

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Issaquah, WA


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