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PostPosted: Tue Jan 20, 2009 2:39 pm 
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Brazilian Rosewood
Brazilian Rosewood
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Joined: Sun Feb 27, 2005 10:11 am
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I am about to bind a guitar with tortoise celluloid nitrate. I searched the archives and found a few threads on it.
I am using .070 thick for the body binding,heel cap and head veneer.

Some of the info I found said to install a white wood purfling behind it to make it stand out more-is this the general consensus?
If you do use a pufling behind it,what type ofglue do you use?
The body and neck are Honduran mahogany.
Thanks,
Brad


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PostPosted: Tue Jan 20, 2009 2:52 pm 
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Brazilian Rosewood
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Location: The Woodlands, Texas
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Last Name: Daniels
The tortise shell is kind of transparent so you will slightly see whatever is behind it. If you have rosewood sides and a spruce top, this two-tone effect for the top binding may look a little weird. On my last guitar, I installed a .010" layer of white plastic behind the tortise shell and it really made it pop. If you don't do this, it will look considerably more muted.


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PostPosted: Tue Jan 20, 2009 3:03 pm 
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Old Growth Brazilian
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Location: United States
white abs plastic behind the it use Duco as the adhesive.


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PostPosted: Tue Jan 20, 2009 3:12 pm 
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Brazilian Rosewood
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I use white celluloid from StewMac. It glues better than ABS. Weld On is somewhat stronger than Duco. CA works very well. But you can even use a
PVA glue if you first wipe with acetone, which seems to open up the surface for adhesion to a glue that is intended for porous surfaces..

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PostPosted: Tue Jan 20, 2009 4:23 pm 
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Contributing Member
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I only ever used it on FBs .... I put maple veneer behind it.

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www.karol-guitars.com
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PostPosted: Tue Jan 20, 2009 4:35 pm 
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Brazilian Rosewood
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Thanks for all the replies.
I am thinking of using maple or holly behind it.
So would the weldon glue work for the wood to wood joint as well as the wood to tortoise joint?


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PostPosted: Thu Jan 22, 2009 8:35 am 
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CA works the best IMHO, it will also make the joints invisible.

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