After finishing my first 4 guitars with lacquer, I want to use Tru-oil on the next - not just the neck, the whole thing. There are lots of posts in the archive here on people's approaches and as usual there are a variety of approaches, different in both small and more significant ways.
For something like this, I think a first timer needs a recipe/procedure in reasonable detail that is known to work. So I am latching on to LMI's documentation on this ....
http://www.lmii.com/CartTwo/TruOil.htm....but with a couple of proposed variations.
I'm not asking forum members to repeat what you have probably already outlined on the forum previously (i.e. don't want to waste your time), but instead would be interested to know if the LMI procedure worked well for anyone, and if you think the following changes are ok.
The changes relate to the pore filling stage....
Firstly they use their water based filler in conjunction with the Birchwood sealer/filler. I have just been through a traumatic experience with their pore filler and would rather not use it again. There is plenty of evidence to show that z-poxy can be used successfully. Should I simply substitute z-poxy in the procedure for the LMI filler but still use it in conjunction with the Birchwood sealer/filler, or will a couple of applications of z-poxy do the job adequately on its own. I guess I'm puzzled about what the Birchwood sealer/filler does that the LMI pore filler can't do on its own.
Secondly, I would spray a light coat of shellac over all surfaces before applying the Tru-Oil. There's lots of evidence on the forum to show that this is a good thing to do.
Finally, I use a decal on the headstock, but am doubtful that I can get the build thickness to cover it with Tru-oil, and will probably need to apply nitro here. It is a vinyl "best-decals" decal that needs over .007" to sink it. I haven't see any figures on Tru-Oil build thicknesses, other than they are thin. Can anyone give me a view on this?
That's it.
Thanks. Frank.