I have the non-oscillating version of this sander, but in a different paint color. I use it extensively for both freehand sanding and precision machining of guitar parts. I probably use it more times a day than any other stationary machine in the shop, though not necessarily for the longest overall length of time. I have been around a number of these sanders in various brand colors, and they are all the same. In my younger years I was employed in a shop that had a large industrial edge sander, so I do have that point of reference also.
The 3 important things to keep in mind: None of these machines are of the quality that you should expect for $1000+. Frankly, they are borderline crapola. Given the above, you will still find it to be incredibly important in your shop. Don't buy the oscillating version.
First, about the oscillating sander: the oscillating mechanism on these machines is pretty cheesy - they just wobble the drive pulley. You will lose some sanding area, if that is important to you. The belt on these sanders is long enough that loading up (with the non-oscillating version) is not as big of an issue as with a spindle sander or drum sander. Yes, they will load, but it is easy to stay on top of it. The real deal killer is the horrible dust collection system on the oscillating version. One of the most useful aspects of the edge sander is access to the roller for contour sanding. It is far better than a spindle sander for any operation for which the roller diameter is not too large. With the oscillating version, you have to remove the dust collector in order to access the roller sanding area. Now imagine pulling off the shroud and putting it back on several times a day - insane. Repeating for emphasis, contour sanding at the roller is going to be VERY important to your luthier work. Almost all of the traditional industrial edge sanders are non-oscillating, for what thats worth. All of my following comments apply to the NON-oscillating model.
If you are just going to be using the sander for freehand work, which is still reason enough to get one, then you will probably be perfectly happy with the Jet. The main thing that will irritate you is that it such a pain to move the table up and down, that you will not do it as often as you should. The other main irritant is the lack of any precision stop on the swinging sanding arm, meaning that a square is required every time that you move it to the vertical position. When you do get it square, the clamping mechanism is not totally reliable to prevent some creeping. By the way, the 3850 rpm motor is fine - This is the same speed range as industrial machines and you will easily learn to work with a light touch. I shape bone nuts and saddles freehand with no problem.
In my work, I use the edge sander with jigs for shaping braces, radiusing fretboards, and radiusing heel and tail blocks. For these uses the flaws in these machines are magnified, and extremely frustrating. Besides the issues mentioned above, the biggest problem is the wimpy support of the main sanding arm. The entire sanding belt arm is supported only at one end, and that is with an inadequate system. The result is that even a few pounds of pressure at the idler roller end of the arm will flex it noticeably. Not a big deal for freehanding, but a major problem when a jig is clamped to the table, which is none too stable itself.
If a $1000 table saw or jointer was this poorly executed, it would be blasted in magazine and online reviews and pulled from the market. Unfortunately, the market for these small edge sanders is limited, and the few reviews out there are mostly useless. If you ever read unqualified praise for any 6 x 89 sander currently on the market, I would be very skeptical.
In terms of specs, the Grizzly G0512 with the small diameter idler roller looks interesting, but I have not seen one in person, and have read complaints about it also.
Bottom line is that any edge sander is a very useful tool and I would not want to be without one, even given my complaints above.
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