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PostPosted: Sun May 21, 2017 10:26 am 
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Koa
Koa

Joined: Sun Sep 16, 2007 1:27 pm
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First name: Dave
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I think I have my technique basically dialed in.
After many guitars though, I am seeking some advice.

How do I get the finish to lay down flat and smooth. This has a bit of texture that I describe as almost leathery.
I hope surface prep is npt the issue because This sucker was flat and smooth and PERFECT.

Any ideas will be appreciated.

Thanks,
Dave


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PostPosted: Sun May 21, 2017 11:57 am 
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Brazilian Rosewood
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Joined: Tue May 13, 2008 10:44 am
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Location: Virginia
I have the same problem and what works for me is a good level sanding before the last two or three sessions. Then glazing with a stiff hard stroke. It's not the way the old world masters do it but it works for me ;)



These users thanked the author jfmckenna for the post: Glenn_Aycock (Wed May 24, 2017 6:52 am)
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PostPosted: Sun May 21, 2017 5:26 pm 
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Koa
Koa

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Robbie O'Brian chimed in and let me know I am piling too much shellac on.
He too recommended a level with sandpaper after a good cure and buff out.


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PostPosted: Sun May 21, 2017 6:46 pm 
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Dave,

Maybe not enough time between sessions.

Pat

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PostPosted: Sun May 21, 2017 9:06 pm 
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Koa
Koa

Joined: Sun Sep 16, 2007 1:27 pm
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Location: United States
First name: Dave
Last Name: Livermore
State: Minnesota
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Status: Semi-pro
Yeah yeah yeah Pat. I know. Patience.
How long is that gonna take?



These users thanked the author Dave Livermore for the post: Hesh (Tue May 23, 2017 3:37 pm)
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PostPosted: Tue May 23, 2017 1:25 pm 
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Brazilian Rosewood
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get in contact with David Laplante.

he's on this forum.

Mike

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PostPosted: Tue May 23, 2017 6:58 pm 
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Cocobolo
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jfmckenna wrote:
I have the same problem and what works for me is a good level sanding before the last two or three sessions. Then glazing with a stiff hard stroke. It's not the way the old world masters do it but it works for me ;)


Yep, I do the same. A good level sanding before the last few sessions and use a pretty dilute shellac so it really puts out a thing layer. Robbie's point is good as well; if you are just applying that ghosty film vapor that disappears it really has no choice but to go on smooth,
Mike


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PostPosted: Tue May 23, 2017 11:34 pm 
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The old world masters might not level, but I know Eugene Clark did! Tom Bills teaches his method in the Luthier's Edge French Polishing course.



These users thanked the author James Orr for the post: Imbler (Wed May 24, 2017 3:36 am)
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PostPosted: Wed May 24, 2017 2:29 pm 
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Koa
Koa

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Location: United States
I recall a lecture by Richard Brune printed in GAL in which he mentioned to sand with fine grit dry after building. I do not recall if that was between building coats or just prior to spiriting off.


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