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Things have been kind of slow for archtops, so here's one I finished a couple of weeks ago.
It's Lutz spruce (from Shane) and locally obtained maple. (The back wasn't great when I cut it open, but I'm calling it "character"). Cocobolo bindings, headplate & bridge....my first shot at a "wedge" type adjustable bridge (rather than thumbwheels) & it worked out well. Kent Armstrong handwound PAF with stealth volume.
Hope you like.

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Dave
Milton, ON

I sure enjoy your work!

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http://www.booneguitars.com
https://www.facebook.com/pages/Stephen-Boone-guitar-builder/488208541257210

Sweet ! Interesting bridge also.

That's a beautiful guitar! Really classy looking design. I don't know what's wrong with the maple on the back but it looks great in the photo

Wow! That is just a stunning instrument, and very tastefully appointed IMHO.

man, that is sweet. love it.

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sweat the small stuff.

Exquisite!

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"Act your age, not your shoe size" - Prince

They just keep getting better Dave! Very nice!

Shane

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Canada

Another beauty Dave. How's it sound? How about a better shot of the tailgut connection. Looks a bit different?

sexy looking guitar.!
what kind of mic has it on? any piezo?

great looking guitar!

Nice, Dave.
You've let the beauty of the woods used come through very tastefully.
Plus, I think an archtop is the purtiest of the guitars.
Is that bridge glued on?
Also, it looks very interesting.
Got a few close-ups of that?
Thanks,
Alan

Looks great. Tell us about your tailpiece. Solid Ebony or is there some metal in there somewhere?

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It's not what you don't know that hurts you, it's what you do know that's wrong.

Top notch, as always, Dave. I love the lines, esp. the tailpiece. Cheers.

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"Building guitars looks hard, but it's actually much harder than it looks." Tom Buck

An archtop! An understatement. Beautifuly done as usual Dave. Is the bridge wedge a friction fit, holds it in place?

Danny

Nice, Dave. Love your work.

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Howard Klepper
http://www.klepperguitars.com

When all else fails, clean the shop.

Beautiful!

Thanks for all the kind comments .... much appreciated.
Darrel, it sounds very sweet. If the bridge design contributes to that, I'm a fan. The tailpiece connection on this is a tailgut over a raised ebony saddle (like a violin). I prefer this over the pivot glued to the underside of the tailpiece, though I do both. The tailpiece is carved ebony only, no metal (...meant to replicate the soundhole shapes.)
Electrics are the pickup only...no mic or piezo.
The bridge is the floating variety typical of archtops (ie not glued on). The adjustment wedge is held by friction only. Few more shots below.

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Dave
Milton, ON

Beautiful bridge,
creative design.
Let's call it "The Sushi Bridge".

Excellent job!

What holds your truss rod cover on?

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Horton, MI

Wow. I can't see anything wrong with the back, though I would agree it has character. This is a beautiful guitar. Outstanding work.

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http://www.CostaGuitars.com
PMoMC

If the tailpiece is solid Ebony it looks like it might be a little fragile with those narrow struts. Ever had any breakage problems with that design? It looks great.

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It's not what you don't know that hurts you, it's what you do know that's wrong.

Thanks again.
I hate seeing screws so the cover is held in place with (4) 3mm magnets.... 2 a bit sunk in the headplate & 2 a bit proud of the cover surface. Allows it to "snap" into place along centerline. (I no longer use the felt.)

The back has a couple of pin knots on the bass side. FWIW, to bring out the figure I tried a coat of polymerized tung oil on the maple, before shellac sealcoat & lacquer, & it seemed to work pretty well.
Terence, I was concerned but have not had any problems with the design. (I loop a belt "strirrup" through the opening of each one & make sure it will take my body weight jumping up & down before I use it)
cheers
(ps a non-identical twin is almost ready)

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Dave
Milton, ON

I would sure love to hear it played! Got any sound clips?

Nice. It looks like that bridge can't raise either side independently. I don't quite understand how it works, but the idea of full contact is excellent of course.

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"Preoccupation with an effect gives it power and enhances the error"
from "Your Owner's Manual" by Burt Hotchkiss.