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PostPosted: Tue Dec 01, 2009 11:24 am 
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Koa
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Here's my good friend Woody Mann playing my new low tuned guitar model.

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PostPosted: Tue Dec 01, 2009 12:19 pm 
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Brazilian Rosewood
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Chas,

That sounds very nice indeed. What tuning is it in and what scale length etc?

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PostPosted: Tue Dec 01, 2009 12:26 pm 
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Brazilian Rosewood
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That's pretty sweet Chas!!

Shane

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PostPosted: Tue Dec 01, 2009 1:31 pm 
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Koa
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Tuning on that song is 2 steps down from standard (C to C) and then the 6th string is dropped to B flat. It's the equivalent of Drop D tuning, but 2 whole steps down.
The medley is comprised of some traditional gospel songs (you may recognize the Joseph Spence song "Great Dreams From Heaven" in there) as well as some of Woody's superb improvisation.
Particulars on the guitar:
25.9" scale length, Lutz top, scalloped bracing, very plain vanilla Mahogany B&S. The body is my Quatre model (based on 0000 Martin box). Woody likes his instruments clean, so no fretboard inlay and minimal bling.
-C

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PostPosted: Tue Dec 01, 2009 3:36 pm 
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Mahogany
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wonderful Chas ......when a great player and a great guitar get together......its so special .....keep up the good work

joe


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PostPosted: Tue Dec 01, 2009 3:41 pm 
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Mahogany
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i forgot to ask Chas.......your bridge.....how do you go about gluing that on.....is the full foot print fitted or are the bridge wings sitting on the finish?

joe


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PostPosted: Tue Dec 01, 2009 3:43 pm 
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Koa
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Bridge is one piece with top finished removed from entire footprint. It's a tedious process....
-C

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PostPosted: Tue Dec 01, 2009 5:52 pm 
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Mahogany
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Great recording! Wonderful tone. Very nice.


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PostPosted: Tue Dec 01, 2009 6:26 pm 
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Very nice! [clap]

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PostPosted: Tue Dec 01, 2009 7:01 pm 
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Charles, that's just great!
Will Woody be demo-ing for you at Newport/Miami, or the next Healdsburg? I'd recommend that very tune!

Good stuff,

Steve

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PostPosted: Tue Dec 01, 2009 8:00 pm 
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Koa
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Full bodied, indeed. I love both the sound and the playin.

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PostPosted: Tue Dec 01, 2009 10:44 pm 
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Cocobolo
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looks and sounds good.

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PostPosted: Tue Dec 01, 2009 11:31 pm 
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Koa
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Great stuff, Charles. Is the headstock your own design?

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PostPosted: Wed Dec 02, 2009 12:08 am 
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I really like that Charles, very nice!

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PostPosted: Wed Dec 02, 2009 3:08 pm 
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Koa
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Many thanks for the kind words. It's been an interesting journey with this model. It's really pushing the limitations of a conventional guitar design. The goal was to design something that still "feels" like a regular guitar but can handle the lower registers. A true baritone (27"+ scale) has enough string tension to maintain some clarity and volume, but the trade off is the physicality needed to play one.

I just closed a Cedar topped version yesterday. It's got a little more arch built into the top which I'm hoping will accentuate the trebles. Cedar should maintain warmth and bass. We'll see...

I'm planning to attend the Miami festival and will do my best to convince Woody to attend and demo for me (as he did last year). I'm also hoping to attend a festival in France where Woody plays frequently as well. It all depends on his touring schedule....

Yes, headstock is one of my signature elements. Also a stinker to make, but ergonomically friendly and definitely unique.

-C

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PostPosted: Thu Dec 03, 2009 1:07 am 
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Mahogany
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That's a great sound -- sweet and balanced to my ear, and lovely playing.

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PostPosted: Thu Dec 03, 2009 5:36 am 
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Cocobolo
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Sounds great! I also like the idea of your headstock. Very clever ergonomics and a visual that really compliments the asymmetry of the rest of the guitar. [:Y:]


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