These things are addictive. I made the first one with the view to showing it at the Cheltenham Acoustic Guitar Show this coming weekend but took it to guitar camp and couldn't resist a cash in hand offer for it. That got me in trouble with my youngest daughter Suzanna as she had named it and wanted it. So it was time to make another from the small stash of wood I had. We decided to use the one and only sitka spruce top that I bought in a moment of madness years ago and haven't known what to do with (Yes Steve K - I've finally lost my Sitka virginity

) , and a small block of wood I bought labelled African Walnut that would do a neck, sides and four piece back, some EI Rosewood side offcuts for bindings and ebony for the bridge and headstock veneers.
African walnut would appear to be
Lovoa klaineana or
Lovoa trichiliodes, and to confuse things it is a member of the genus
Meliaceae - the mahogany family. It is a lovely wood to work with and according to Suzanna and my wife looks like Tigerseye - which is interesting as one of its common names is Tigerwood.
These instruments were named by my daughter Suzanna after the shape-shifting Scandanavian Water Spirits who played enchanted songs on the violin. If properly approached, they will teach a musician to play so adeptly "that the trees dance and waterfalls stop at his music." Not exactly a violin, but very similar tuning - GDAE or GDAD. The first one was called Nøkken and this one is called Nácken.
The design is the same as the first one - 579mm scale length with 14 frets clear of the body on a Martin Size 5 body. The tuning is GDAD and the strings I am using are 49, 32, 22w, 15. The sound is pleasing so far - the sitka is more on the "fundimental" side of spruces I have used but it works well on the instrument and it will be interesting to hear how it opens out. These are real fun session instruments.
This time I got to do a soundclip. These are useful to do early in an instruments life (the strings went on last Friday) as you can go back later and compare. I find that there are tunes lurking in each instrument that seem to come out when you noodle around on them for the very first time. This one came out as a "loose" version of
"Botany Bay".
Some pictures:
Attachment:
nacp2.JPG
Attachment:
nacp3.JPG
Attachment:
nacp6.JPG
Top bracing (Lutz spruce):
Attachment:
nac5.JPG
Back bracing (Lutz spruce):
Attachment:
nac8.JPG
Thanks for looking and listening.
_________________
Dave White
De Faoite Stringed Instruments". . . the one thing a machine just can't do is give you character and personalities and sometimes that comes with flaws, but it always comes with humanity" Monty Don talking about hand weaving, "Mastercrafts", Weaving, BBC March 2010