Completely unnecessary and we have had small Luthier built instruments that were in because the owner could not get the truss rod to function because of the use, improperly of CF augmentation.
Or, in other words what problem is it that you are trying to solve that tens of millions of guitars that came before yours did not have?
How is that for the smack down which, by the way is not my style or intent here. I am simply replying to your question with the natural question that results, why? what problem is it that you are trying to solve?
One more thing and this is not directed at you. Folks are surprised to hear that some well respected repair shops will not work on small Luthier built guitars unless the Luthier is well known and their wares are predictably constructed. Why? Because much of it is crap..... and we have to be the one to tell the steward that they spent $5K on a piece of crap that needs major rebuilding to get the most basic things right such as a neck angle.... It's depressing and disheartening and not something that we want to get any of it on us.
So with this said I try as I will to convince people here that a guitar may be to you a woodworking project but to me it's a tool for a musician and if you want to make decent guitars they have to address and satisfy my definition to be anything other than what Rick Turner described as a "guitar like object."
We see elaborate rosettes and 123 different types of exotic wood used but the neck angle is fatally incorrect.... Or we see great inlay on the fingerboard but the nut is non-functional, improperly spaced and the nut channel lacks uniformity to the degree that it has to be squared up with major material removal.
Or in other words what I am saying here in less than an eloquent manner is what ever happened to having the respect and reverence for the builders who came before us enough so that your goal in producing an instrument is to produce an excellent example of a conventionally designed and engineered guitar? Or, in other words how many Martins have been built with no CF augmentation in the neck???? How many g*bsons, Taylors, Yamahas to get into some millions of instruments and nary a CF rod in any of them.
Lastly you mentioned a Warmouth neck which implies what you did not mention that this is for an electric? So I might presume it's likely 10's or so which are on the light side of string tension and if you our your intended client is shredder they may be drop running as low as C which means very little string tension on the neck at all. And you need to augment this with CF.... Don't think so.
OK that's it for me, thanks for your question, hope I did you proud

. I have to go to the dentist and then I have a PRS waiting for me to be set-up to play as well as possible in A sharp..... Oh the joy of shredders.....

. buzz, buzz, rattle, rattle, tink
