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PostPosted: Tue Jan 05, 2016 4:38 pm 
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This is guitar # 12 for me. Another "Family & Friends" guitar which are coming to an end very soon. Not that I won't build for family or friends anymore but I'm at the stage where I'm feeling confident to hang out my shingle for full priced commissions.

Anyway, here's the details.

Olson SJ body shape/size
15-1/8" LB
11-1/8" UB
9-1/4" waist
4-5/8" at the tail
19-3/8" body length

Scale is 25.4"
Nut 1-23/32"
String spacing at the bridge 2-1/4"

Body wood.

Back and sides are curly Imbuia I got from the Zootman several years ago.
Top is sinker redwood I won from an OLF auction (remember those?) also several years ago.

The rosette is endgrain spaulted birch which was book matched from 10 pieces.

Neck is 5 piece laminated Honduran Mahogany, Curly Maple, Walnut.
Fretboard, Bridge, Headstock plate and heal cap are all from the same board of Katalox (Mexican Ebony) I got from Burton LeGeyt several years ago.
Curly maple accents all around include: Full body, neck and headstock binding, end graft, T logo on the headstock and the signature on the fretboard.

Bone nut and saddle
Schaller Tuners.

Finish is French Polished shellac. This is my first kick at FP and I did like it but it will take some time to develop patience and skill to really pull it off well. I'm about 85% satisfied with the finish and from 3-5 feet away it looks good. Getting upclose it looks ok-ish.

Edit: The pictures aren't great quality as per my typical standard. I'll get better pictures done soon.

Here's a short video of my friend Ken playing a tune. Recorded with my Nikon Coolpix P510 camera. Sound quality isn't the greatest but you get an idea.



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Cheers

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Last edited by Rod True on Wed Jan 06, 2016 1:04 pm, edited 4 times in total.

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PostPosted: Tue Jan 05, 2016 4:42 pm 
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Wow!! Very nice. I like the darker top. How does it sound, so far??


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PostPosted: Tue Jan 05, 2016 5:04 pm 
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That's a very nice looking guitar Rod.
Up to your usual high standards I see.
Lke the inlay on the FB and the rosette especially.

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Catgut is an abbreviation of the word cattle gut. Gut strings are made from sheep or goat intestines, in the past even from horse, mule or donkey intestines.

Otherwise it could be from the word kitgut or kitstring. Kit meant fiddle, not kitten.


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PostPosted: Tue Jan 05, 2016 6:39 pm 
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Nice!


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PostPosted: Tue Jan 05, 2016 7:10 pm 
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That's a beauty, Rod. I really like the split back strip! I might be picking your brain in the end grain rosette!

Alex

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PostPosted: Tue Jan 05, 2016 7:55 pm 
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Nicely done! [:Y:]

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PostPosted: Tue Jan 05, 2016 7:58 pm 
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Good job, Rod....how's she sound and play?

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PostPosted: Tue Jan 05, 2016 8:37 pm 
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Beauty!

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PostPosted: Tue Jan 05, 2016 8:50 pm 
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You have wonderful design sensibilities, Rod. It's always a pleasure to see some of your work. Nice job!

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PostPosted: Tue Jan 05, 2016 9:41 pm 
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Very Nice Rod! Love the rosette. And the back. It's like you celebrated the knot shadow.

But what's with the photos? Not your usual high standard. Hope all is well on the home front.

Cheers Bud!


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PostPosted: Wed Jan 06, 2016 1:09 pm 
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DannyV wrote:
Very Nice Rod! Love the rosette. And the back. It's like you celebrated the knot shadow.

But what's with the photos? Not your usual high standard. Hope all is well on the home front.

Cheers Bud!


You nailed it Danny! I highlighted that knot indeed.

I was too excited to wait for my wife to take this one out for property photos. Besides I still want to play around with the top finish a bit more as it's a bit of an ugly duckling and her photos would really show that side off..... And we are very much all good here at home, thanks though for the thought :)

The good photos will most likely happen next month. Right now the guitar has been delivered to the owner who is pretty gob-smacked by it. I had fun with 3 other friends who are pretty amazing musicians passing it around last night.

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PostPosted: Wed Jan 06, 2016 1:22 pm 
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Beautiful inlay work. I like that split inlay on the back strip....really highlights that kink in the grain


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PostPosted: Wed Jan 06, 2016 2:04 pm 
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Sounds great Rod. I love that we all do more or less the same thing and get completely different results.


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PostPosted: Wed Jan 06, 2016 2:14 pm 
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meddlingfool wrote:
Sounds great Rod. I love that we all do more or less the same thing and get completely different results.


Thanks Ed. What I find so interesting is how 1 guitar can sound different in the hands of many different players......

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"There's really no wrong way, as long as the results are what's desired." Charles Fox

"We have to constantly remind ourselves what we're doing....No Luthier is putting a man on the moon!" Harry Fleishman

"Generosity is always different in the eye of the person who didn't receive anything, but who wanted some." Waddy Thomson


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PostPosted: Thu Jan 07, 2016 10:07 am 
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That's very nice. I love the look of that top with the back and sides. I've built about 25 guitars with Imbuia and I can't say enough about how much I like it.



These users thanked the author jfmckenna for the post: Rod True (Thu Jan 07, 2016 12:15 pm)
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PostPosted: Thu Jan 07, 2016 12:18 pm 
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Thank you JF! I too really love Imbuia. This is my second guitar using it (1st is my avatar image) and I have 1 more set that is a sister set to this one. It's such a pleasure to work with and makes a wonderful sounding guitar.

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"There's really no wrong way, as long as the results are what's desired." Charles Fox

"We have to constantly remind ourselves what we're doing....No Luthier is putting a man on the moon!" Harry Fleishman

"Generosity is always different in the eye of the person who didn't receive anything, but who wanted some." Waddy Thomson


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