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Robbie O'Brien
 Post subject: Bridge patch thickness
PostPosted: Sun Mar 16, 2008 10:20 am 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Wed Jan 19, 2005 5:23 am
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I am curious what thickness folks are using for the bridge patches.
Anyone care to share this information?
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Alain Moisan
PostPosted: Sun Mar 16, 2008 11:35 am 
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Location: Montreal, Canada
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Mines are anywhere between .090" to .110".

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Alain Moisan
Former full time builder of Acoustics, Classicals and Flamencos.
(Now building just for fun!)
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Blanchard
PostPosted: Sun Mar 16, 2008 2:21 pm 
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.100" for me.
Laminated, .050 Brazilian, .050 maple.

Mark
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Laurent Brondel
PostPosted: Sun Mar 16, 2008 2:25 pm 
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.090" for sugar maple, between .090" and .075" for Braz.

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Laurent Brondel
West Paris, Maine - USA
http://www.laurentbrondel.com/
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Brock Poling
PostPosted: Sun Mar 16, 2008 3:04 pm 
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Old Growth Brazilian Rosewood
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Blanchard wrote:
.100" for me.
Laminated, .050 Brazilian, .050 maple.

Mark


If you don't mind... which cap are you putting up (ball end side)?

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Brock Poling
Columbus, Ohio
http://www.polingguitars.com
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Hesh
PostPosted: Sun Mar 16, 2008 6:27 pm 
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Location: Ann Arbor, Michigan
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.090 here BRW or HRW

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Andy Zimmerman
PostPosted: Sun Mar 16, 2008 9:04 pm 
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Location: San Diego, CA
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Focus: Build
0.10 EIR for me

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Steve Kinnaird
PostPosted: Sun Mar 16, 2008 9:44 pm 
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.100", Padauk.

Steve

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Blanchard
PostPosted: Sun Mar 16, 2008 10:33 pm 
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Brock Poling wrote:
Blanchard wrote:
.100" for me.
Laminated, .050 Brazilian, .050 maple.

Mark


If you don't mind... which cap are you putting up (ball end side)?



Maple glues to the soundboard, Braz takes the wear from the ball ends.

Mark
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Chas Freeborn
PostPosted: Sun Mar 16, 2008 11:59 pm 
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Koa
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3/32" for me. VG Rock Maple.
I'm going to try out Frank Fords suggestion of running the patch grain parallel with the top as soon as I get over to the lumber yard and find a tight grain vg piece that's 7" wide...
-C

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Alain Desforges
PostPosted: Mon Mar 17, 2008 6:40 am 
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Usually around 90-100 thou with maple and EIR. I went down to about 60 thou on the last one made out of rock-hard Makore. With the high silica count, I figured it should do fine...

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Michael Dale Payne
PostPosted: Mon Mar 17, 2008 9:18 am 
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maple. .09
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Mike Collins
PostPosted: Tue Mar 18, 2008 1:56 pm 
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First name: Mike/Mikey/Michael/hey you!
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Robbie;
Did you mean for nylon strung guitars ?
If so mine are usually tapered from -1.5mm at the centerline and tapered to .5mm at the ends.
length at laeast as long as my bridge -but sometimes 20mm past the bridge length.
I've made full top width ones but the tone was a bit brittle.
width -15-25mm depending on what top I'm using and the sound I'm after for that guitar
Mike

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Robbie O'Brien
PostPosted: Tue Mar 18, 2008 2:10 pm 
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Brazilian Rosewood
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Mike Collins wrote:
Robbie;
Did you mean for nylon strung guitars ?
If so mine are usually tapered from -1.5mm at the centerline and tapered to .5mm at the ends.
length at laeast as long as my bridge -but sometimes 20mm past the bridge length.
I've made full top width ones but the tone was a bit brittle.
width -15-25mm depending on what top I'm using and the sound I'm after for that guitar
Mike



Mike,

I was actually referring to steel string bridge patches but thanks for the info on the classical patches. I do something similar on my classicals.
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Ken Franklin
PostPosted: Tue Mar 18, 2008 7:12 pm 
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Joined: Thu Aug 25, 2005 4:49 pm
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Location: Ukiah, CA
mulberry .09

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Ken Franklin
clumsy yet persistent
https://www.kenfranklinukulele.com
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KenH
PostPosted: Wed Mar 19, 2008 5:15 am 
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Joined: Thu Mar 01, 2007 3:15 pm
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Location: Florida
Osage at .08

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Reguards,

Ken H
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