Alan Carruth wrote:
John:
Thanks for taking the time to explain and diagram that.
It's always fun to remeber those class days and share a little bit of it with other folks, Al.
I am still very fond of the classic lines that your older techniques built into my first guitar.
From a structural standpoint, the domed top seems to have held up better, it's shape hasn't taken on too many dips and wrinkles. The flatter one has more dip and wrinkle, it's got a lot of character. The varnish doesn't look to bad either. No one would ever confuse it with a factory guitar, and that's just fine with me.
Maybe Windell will start a new fashion.
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